The Cocktail Party
E23598
The Cocktail Party is a verse drama by T. S. Eliot that explores themes of marriage, identity, and spiritual crisis through a drawing-room comedy that gradually reveals deeper psychological and religious dimensions.
All labels observed (6)
| Label | Occurrences |
|---|---|
| The Cocktail Party canonical | 14 |
| Act I of The Cocktail Party | 2 |
| Act II of The Cocktail Party | 2 |
| Act III of The Cocktail Party | 1 |
| The Cocktail Party (1949 stage premiere) | 1 |
| The Cocktail Party universe | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T167848 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Cocktail Party Context triple: [T. S. Eliot, notableWork, The Cocktail Party]
-
A.
The Concert
The Concert is an unfinished and now missing painting by Dutch Golden Age master Johannes Vermeer, depicting an intimate scene of three figures making music in a domestic interior.
-
B.
Blue Room
The Blue Room is an oval-shaped ceremonial reception room on the first floor of the White House, traditionally decorated in blue and used for formal gatherings and receiving guests.
-
C.
Blue Room
Blue Room is a renowned Kansas City jazz club and performance venue associated with the American Jazz Museum, known for showcasing live jazz and preserving the city’s rich musical heritage.
-
D.
Everybody Knows
"Everybody Knows" is a dark, brooding song by Leonard Cohen, known for its cynical commentary on societal decay and human relationships.
-
E.
After the Dance
"After the Dance" is a 1939 stage play by British dramatist Terence Rattigan that explores the disillusionment and emotional fallout among the hedonistic "bright young things" of interwar London.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Cocktail Party Target entity description: The Cocktail Party is a verse drama by T. S. Eliot that explores themes of marriage, identity, and spiritual crisis through a drawing-room comedy that gradually reveals deeper psychological and religious dimensions.
-
A.
The Concert
The Concert is an unfinished and now missing painting by Dutch Golden Age master Johannes Vermeer, depicting an intimate scene of three figures making music in a domestic interior.
-
B.
Blue Room
The Blue Room is an oval-shaped ceremonial reception room on the first floor of the White House, traditionally decorated in blue and used for formal gatherings and receiving guests.
-
C.
Blue Room
Blue Room is a renowned Kansas City jazz club and performance venue associated with the American Jazz Museum, known for showcasing live jazz and preserving the city’s rich musical heritage.
-
D.
Everybody Knows
"Everybody Knows" is a dark, brooding song by Leonard Cohen, known for its cynical commentary on societal decay and human relationships.
-
E.
After the Dance
"After the Dance" is a 1939 stage play by British dramatist Terence Rattigan that explores the disillusionment and emotional fallout among the hedonistic "bright young things" of interwar London.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
play
ⓘ
verse drama ⓘ |
| author | T. S. Eliot ⓘ |
| award |
Tony Award for Best Play
ⓘ
surface form:
Tony Award for Best Play nomination
|
| broadwayOpeningYear | 1950 ⓘ |
| characterRole |
Celia Coplestone is a young woman seeking spiritual meaning
ⓘ
Edward Chamberlayne is a troubled husband ⓘ Lavinia Chamberlayne is Edward's estranged wife ⓘ Sir Henry Harcourt-Reilly is a psychiatrist-like figure ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| criticalReception | generally successful on stage ⓘ |
| dramaticMode | comedy that turns serious ⓘ |
| dramaticTechnique |
mixture of social comedy and religious allegory
ⓘ
use of chorus-like group of guests ⓘ |
| firstPerformanceYear | 1949 ⓘ |
| form | verse ⓘ |
| genre |
drama
ⓘ
drawing-room comedy ⓘ psychological drama ⓘ religious drama ⓘ |
| hasMotive |
examination of the breakdown and reconstruction of marriage
ⓘ
exploration of the possibility of sainthood in the modern world ⓘ |
| influencedBy |
Christian theology
ⓘ
Eliot's own religious beliefs ⓘ Greek tragedy ⓘ |
| language | English ⓘ |
| mainCharacter |
Celia Coplestone
ⓘ
Edward Chamberlayne ⓘ Lavinia Chamberlayne ⓘ Sir Henry Harcourt-Reilly ⓘ |
| partOf | T. S. Eliot's late dramatic works ⓘ |
| premiereEvent |
Edinburgh International Festival
ⓘ
surface form:
Edinburgh Festival
|
| premiereLocation | Edinburgh ⓘ |
| setting |
London, England
ⓘ
surface form:
London
a middle-class drawing room ⓘ |
| structure | three-act play ⓘ |
| theme |
alienation
ⓘ
human relationships ⓘ identity ⓘ marriage ⓘ redemption ⓘ sainthood ⓘ self-knowledge ⓘ spiritual crisis ⓘ |
| timePeriodOfWork | 20th century ⓘ |
| writer | T. S. Eliot ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Cocktail Party Description of subject: The Cocktail Party is a verse drama by T. S. Eliot that explores themes of marriage, identity, and spiritual crisis through a drawing-room comedy that gradually reveals deeper psychological and religious dimensions.
Referenced by (21)
Full triples — surface form annotated when it differs from this entity's canonical label.