Kino: A New Art
E235079
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
All labels observed (4)
| Label | Occurrences |
|---|---|
| Kino: A New Art canonical | 1 |
| Kuleshov effect | 1 |
| Lev Kuleshov effect | 1 |
| Theory of the Film: Character and Growth of a New Art | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2107113 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Kino: A New Art Context triple: [Lev Kuleshov, wrote, Kino: A New Art]
-
A.
Man with a Movie Camera
Man with a Movie Camera is a 1929 silent experimental documentary film by Dziga Vertov, celebrated for its innovative cinematic techniques and influential role in film history.
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B.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
C.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
D.
Celluloid
Celluloid is a lightweight, open-source media player for Linux that provides a simple GTK-based interface for the MPV playback engine.
-
E.
Idioteque
"Idioteque" is an experimental, electronic-influenced track by the English rock band Radiohead, acclaimed for its anxious atmosphere, unconventional structure, and prescient themes of climate crisis and societal collapse.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Kino: A New Art Target entity description: "Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
A.
Man with a Movie Camera
Man with a Movie Camera is a 1929 silent experimental documentary film by Dziga Vertov, celebrated for its innovative cinematic techniques and influential role in film history.
-
B.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
C.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
D.
Celluloid
Celluloid is a lightweight, open-source media player for Linux that provides a simple GTK-based interface for the MPV playback engine.
-
E.
Idioteque
"Idioteque" is an experimental, electronic-influenced track by the English rock band Radiohead, acclaimed for its anxious atmosphere, unconventional structure, and prescient themes of climate crisis and societal collapse.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
film theory book ⓘ non-fiction book ⓘ |
| associatedWith |
Kino: A New Art
self-linksurface differs
ⓘ
surface form:
Lev Kuleshov effect
|
| author | Lev Kuleshov ⓘ |
| contribution |
formulated artistic principles of cinema
ⓘ
helped define early film theory ⓘ |
| countryOfOrigin | Soviet Union ⓘ |
| describedAs |
foundational text of Soviet film theory
ⓘ
seminal work of film theory ⓘ |
| discusses |
cinematic space and time
ⓘ
film editing ⓘ film montage ⓘ performance in cinema ⓘ visual composition in film ⓘ |
| field |
aesthetics
ⓘ
cinema studies ⓘ |
| focusesOn |
artistic principles of cinema
ⓘ
relationship between editing and meaning ⓘ specificity of film as an art ⓘ spectator perception ⓘ |
| genre | theoretical work ⓘ |
| hasAuthorRole |
film director
ⓘ
film theorist ⓘ |
| historicalContext | early Soviet cinema era ⓘ |
| influenced |
Soviet montage filmmakers
ⓘ
early film theory ⓘ international film theory ⓘ |
| influencedBy |
Russian avant-garde
ⓘ
early Soviet cinema ⓘ |
| intendedAudience |
film theorists
ⓘ
filmmakers ⓘ students of cinema ⓘ |
| languageOfWorkOrName | Russian ⓘ |
| mainSubject |
acting for cinema
ⓘ
cinema as an art form ⓘ directing ⓘ film aesthetics ⓘ film theory ⓘ montage ⓘ |
| medium | print ⓘ |
| movement |
Soviet montage school
ⓘ
surface form:
Soviet montage theory
|
| originalLanguage | Russian ⓘ |
| partOf | Soviet film theory canon ⓘ |
| workType | theoretical treatise ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Kino: A New Art Description of subject: "Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.