Haydn Symphony No. 49 "La passione"
E222294
Haydn's Symphony No. 49 "La passione" is a dark, intense minor-key symphony whose dramatic, emotionally charged style makes it a quintessential example of the Sturm und Drang period in 18th-century music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Haydn Symphony No. 49 "La passione" canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1934046 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Haydn Symphony No. 49 "La passione" Context triple: [Sturm und Drang, hasNotableMusicWork, Haydn Symphony No. 49 "La passione"]
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A.
Haydn Symphony No. 44 "Trauer"
Haydn’s Symphony No. 44 in E minor, nicknamed “Trauer” (“Mourning”), is a dark, intense work that exemplifies his Sturm und Drang style through its dramatic contrasts and emotional depth.
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B.
Haydn Symphony No. 45 "Farewell"
Haydn's Symphony No. 45 "Farewell" is a dramatic, minor-key symphony famous for its emotional intensity and for the theatrical ending in which musicians leave the stage one by one.
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C.
Mozart Symphony No. 25 in G minor
Mozart's Symphony No. 25 in G minor is a dramatic, early symphony renowned for its intense emotional character and driving rhythms, often associated with the Sturm und Drang style.
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D.
Mozart Symphony No. 40 in G minor
Mozart's Symphony No. 40 in G minor is one of his most famous and emotionally intense symphonies, often noted for its dramatic, restless character and embodiment of Classical-era pathos.
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E.
Symphony in C
Symphony in C is a landmark neoclassical ballet choreographed by George Balanchine to Georges Bizet’s Symphony in C, renowned for its pure dance style and large ensemble structure.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Haydn Symphony No. 49 "La passione" Target entity description: Haydn's Symphony No. 49 "La passione" is a dark, intense minor-key symphony whose dramatic, emotionally charged style makes it a quintessential example of the Sturm und Drang period in 18th-century music.
-
A.
Haydn Symphony No. 44 "Trauer"
Haydn’s Symphony No. 44 in E minor, nicknamed “Trauer” (“Mourning”), is a dark, intense work that exemplifies his Sturm und Drang style through its dramatic contrasts and emotional depth.
-
B.
Haydn Symphony No. 45 "Farewell"
Haydn's Symphony No. 45 "Farewell" is a dramatic, minor-key symphony famous for its emotional intensity and for the theatrical ending in which musicians leave the stage one by one.
-
C.
Mozart Symphony No. 25 in G minor
Mozart's Symphony No. 25 in G minor is a dramatic, early symphony renowned for its intense emotional character and driving rhythms, often associated with the Sturm und Drang style.
-
D.
Mozart Symphony No. 40 in G minor
Mozart's Symphony No. 40 in G minor is one of his most famous and emotionally intense symphonies, often noted for its dramatic, restless character and embodiment of Classical-era pathos.
-
E.
Symphony in C
Symphony in C is a landmark neoclassical ballet choreographed by George Balanchine to Georges Bizet’s Symphony in C, renowned for its pure dance style and large ensemble structure.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| approximateCompositionDate | c. 1768 ⓘ |
| associatedPatron | Prince Nikolaus Esterházy ⓘ |
| belongsTo | Haydn symphonies ⓘ |
| catalogNumber | Hob. I:49 ⓘ |
| character |
dark
ⓘ
dramatic ⓘ emotionally charged ⓘ intense ⓘ |
| composer | Joseph Haydn ⓘ |
| era | 18th century ⓘ |
| expressiveGoal | tragic pathos ⓘ |
| firstMovementTempoMarking | Adagio ⓘ |
| fourthMovementTempoMarking | Finale: Presto ⓘ |
| frequentlyRecordedBy |
modern symphony orchestras
ⓘ
period-instrument orchestras ⓘ |
| genre | symphony in F minor ⓘ |
| historicalSignificance |
often cited as a key work of 1760s Sturm und Drang symphonic writing
ⓘ
quintessential example of Haydn’s Sturm und Drang style ⓘ |
| influenced | later interpretations of Haydn’s Sturm und Drang period ⓘ |
| key | F minor ⓘ |
| languageOfNickname | Italian ⓘ |
| movementCount | 4 ⓘ |
| nickname | La passione ⓘ |
| notableFeature |
continuous tragic affect across all four movements
ⓘ
unusually slow and serious first movement for a symphony of its time ⓘ |
| openingMovementForm | slow-fast-slow-fast sonata da chiesa type layout ⓘ |
| orchestration |
bassoon (optional or doubling)
ⓘ
continuo ⓘ horns ⓘ oboes ⓘ strings ⓘ |
| period | Classical period ⓘ |
| placeOfComposition |
Esterházy Palace
ⓘ
surface form:
Esterháza
|
| region |
Habsburg hereditary lands
ⓘ
surface form:
Habsburg lands
|
| relatedMovementType | church sonata layout ⓘ |
| secondMovementTempoMarking | Allegro di molto ⓘ |
| structure | four-movement symphony ⓘ |
| style | Sturm und Drang ⓘ |
| thirdMovementTempoMarking | Menuet e Trio ⓘ |
| tonalCharacter | minor-key ⓘ |
| typicalPerformanceDuration | approximately 25 minutes ⓘ |
| uses | minor-mode harmonic language ⓘ |
| workNumberInComposerOutput | 49 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Haydn Symphony No. 49 "La passione" Description of subject: Haydn's Symphony No. 49 "La passione" is a dark, intense minor-key symphony whose dramatic, emotionally charged style makes it a quintessential example of the Sturm und Drang period in 18th-century music.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.