CinemaScope
E21708
CinemaScope was a widescreen film format introduced in the 1950s that used anamorphic lenses to create a much wider image than traditional movie presentations.
All labels observed (4)
| Label | Occurrences |
|---|---|
| CinemaScope canonical | 63 |
| CinemaScope productions at 20th Century Fox | 1 |
| French anamorphic lens system Hypergonar | 1 |
| term CinemaScope | 1 |
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
anamorphic lens system
ⓘ
motion picture technology ⓘ widescreen film format ⓘ |
| alsoKnownAs | ’Scope ⓘ |
| basedOnWorkOf | Henri Chrétien ⓘ |
| captureType | anamorphic photography ⓘ |
| comparedTo | Academy ratio 1.37:1 ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| designedFor | widescreen theatrical exhibition ⓘ |
| developedBy | 20th Century Fox ⓘ |
| filmGauge | 35 mm film ⓘ |
| firstFeatureFilm | The Robe ⓘ |
| firstFeatureFilmReleaseYear | 1953 ⓘ |
| imageAspectRatio |
2.35:1
ⓘ
2.55:1 ⓘ |
| influenced |
subsequent anamorphic formats
ⓘ
widescreen filmmaking practices ⓘ |
| inspiredBy |
CinemaScope
self-linksurface differs
ⓘ
surface form:
French anamorphic lens system Hypergonar
|
| introducedAsCompetitorTo |
Cinerama film process
ⓘ
surface form:
Cinerama
|
| introducedInYear | 1953 ⓘ |
| introducedToCompeteWith | television ⓘ |
| laterProjectionAspectRatio | 2.39:1 ⓘ |
| laterSoundFormatUsed | optical mono ⓘ |
| legacy | term sometimes used generically for anamorphic widescreen ⓘ |
| lensCompressionFactor | 2x anamorphic squeeze ⓘ |
| marketedBy | 20th Century Fox ⓘ |
| notableFilm |
Anastasia
ⓘ
How to Marry a Millionaire ⓘ The King and I ⓘ The Robe ⓘ |
| notableFor | creating a much wider image than traditional Academy ratio films ⓘ |
| primaryDecadeOfUse |
1950s
ⓘ
1960s ⓘ |
| projectionAspectRatioStandardizedTo | 2.35:1 ⓘ |
| projectionPrintType | 35 mm anamorphic release print ⓘ |
| projectionType | anamorphic projection ⓘ |
| soundFormatInitiallyUsed | four-track magnetic stereo ⓘ |
| status | largely obsolete as a proprietary system ⓘ |
| supersededBy | Panavision anamorphic system ⓘ |
| usedByStudio |
20th Century Fox
ⓘ
Columbia Pictures ⓘ MGM ⓘ Warner Bros. Pictures ⓘ
surface form:
Warner Bros.
|
| usedFor |
epic films
ⓘ
musicals ⓘ spectacle-driven productions ⓘ |
| uses | anamorphic lenses ⓘ |
Referenced by (66)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
French anamorphic lens system Hypergonar
subject surface form:
Daddy Long Legs (1955 film)
subject surface form:
The Magnificent Seven (1960 film)
subject surface form:
'Scope
this entity surface form:
term CinemaScope
subject surface form:
Gigi (1958 film)
subject surface form:
The Flight of the Phoenix (1965 film)
this entity surface form:
CinemaScope productions at 20th Century Fox