CinemaScope

E21708

CinemaScope was a widescreen film format introduced in the 1950s that used anamorphic lenses to create a much wider image than traditional movie presentations.

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All labels observed (4)

Statements (47)

Predicate Object
instanceOf anamorphic lens system
motion picture technology
widescreen film format
alsoKnownAs ’Scope
basedOnWorkOf Henri Chrétien
captureType anamorphic photography
comparedTo Academy ratio 1.37:1
countryOfOrigin United States of America
surface form: United States
designedFor widescreen theatrical exhibition
developedBy 20th Century Fox
filmGauge 35 mm film
firstFeatureFilm The Robe
firstFeatureFilmReleaseYear 1953
imageAspectRatio 2.35:1
2.55:1
influenced subsequent anamorphic formats
widescreen filmmaking practices
inspiredBy CinemaScope self-linksurface differs
surface form: French anamorphic lens system Hypergonar
introducedAsCompetitorTo Cinerama film process
surface form: Cinerama
introducedInYear 1953
introducedToCompeteWith television
laterProjectionAspectRatio 2.39:1
laterSoundFormatUsed optical mono
legacy term sometimes used generically for anamorphic widescreen
lensCompressionFactor 2x anamorphic squeeze
marketedBy 20th Century Fox
notableFilm Anastasia
How to Marry a Millionaire
The King and I
The Robe
notableFor creating a much wider image than traditional Academy ratio films
primaryDecadeOfUse 1950s
1960s
projectionAspectRatioStandardizedTo 2.35:1
projectionPrintType 35 mm anamorphic release print
projectionType anamorphic projection
soundFormatInitiallyUsed four-track magnetic stereo
status largely obsolete as a proprietary system
supersededBy Panavision anamorphic system
usedByStudio 20th Century Fox
Columbia Pictures
MGM
Warner Bros. Pictures
surface form: Warner Bros.
usedFor epic films
musicals
spectacle-driven productions
uses anamorphic lenses

Referenced by (66)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Tender Trap aspectRatio CinemaScope
CinemaScope inspiredBy CinemaScope self-linksurface differs
this entity surface form: French anamorphic lens system Hypergonar
Rebel Without a Cause filmFormat CinemaScope
Daddy Long Legs filmFormat CinemaScope
subject surface form: Daddy Long Legs (1955 film)
The Magnificent Seven cinemaProcess CinemaScope
subject surface form: The Magnificent Seven (1960 film)
The Big Country filmFormat CinemaScope
Teenage Rebel colorProcess CinemaScope
Cinerama film process influenced CinemaScope
East of Eden aspectRatio CinemaScope
Lady and the Tramp aspectRatio CinemaScope
Bus Stop aspectRatio CinemaScope
An Affair to Remember colorProcess CinemaScope
The Seven Year Itch aspectRatio CinemaScope
Anastasia format CinemaScope
subject surface form: Anastasia (1956 film)
The Robe filmFormat CinemaScope
’Scope refersTo CinemaScope
subject surface form: 'Scope
’Scope shortFor CinemaScope
subject surface form: 'Scope
’Scope originatesFrom CinemaScope
subject surface form: 'Scope
this entity surface form: term CinemaScope
The Rebel filmingProcess CinemaScope
Hypergonar lens influenced CinemaScope
VistaVision competitiveWith CinemaScope
Gigi aspectRatio CinemaScope
subject surface form: Gigi (1958 film)
Kismet aspect CinemaScope
subject surface form: Kismet (1955 film)
Forbidden Planet filmProcess CinemaScope
Cleopatra (1963 film) aspectRatio CinemaScope
Some Came Running aspectRatio CinemaScope
Pillow Talk distributedInFormat CinemaScope
Bad Day at Black Rock visualFormat CinemaScope
Carousel (film) format CinemaScope
Le Mépris aspectRatio CinemaScope
Carmen Jones filmedIn CinemaScope
The Flight of the Phoenix filmFormat CinemaScope
subject surface form: The Flight of the Phoenix (1965 film)
Mister Roberts aspectRatio CinemaScope
Damn Yankees filmingProcess CinemaScope
High Time aspectRatio CinemaScope
Les Girls filmingProcess CinemaScope
Von Ryan's Express aspectRatio CinemaScope
Buddy Adler associatedWith CinemaScope
this entity surface form: CinemaScope productions at 20th Century Fox