C. P. E. Bach keyboard sonatas of the 1760s–1770s
E215012
The C. P. E. Bach keyboard sonatas of the 1760s–1770s are expressive, emotionally charged works that exemplify the early Classical era’s shift toward heightened drama and individuality in instrumental music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| C. P. E. Bach keyboard sonatas of the 1760s–1770s canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1934048 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: C. P. E. Bach keyboard sonatas of the 1760s–1770s Context triple: [Sturm und Drang, hasNotableMusicWork, C. P. E. Bach keyboard sonatas of the 1760s–1770s]
-
A.
The Well-Tempered Clavier
The Well-Tempered Clavier is a landmark collection of keyboard preludes and fugues in all 24 major and minor keys by Johann Sebastian Bach, celebrated for its technical rigor and profound musical expression.
-
B.
Trio Sonatas Op. 1
Trio Sonatas Op. 1 is Arcangelo Corelli’s influential early collection of trio sonatas that helped define the Baroque chamber music style.
-
C.
Brandenburg Concertos
The Brandenburg Concertos are a celebrated collection of six Baroque instrumental works by Johann Sebastian Bach, renowned for their rich orchestration and inventive musical forms.
-
D.
Musical Offering
Musical Offering is a renowned collection of canons, fugues, and a trio sonata by Johann Sebastian Bach, based on a theme provided by Frederick the Great and celebrated for its intricate contrapuntal writing.
-
E.
Trio Sonatas Op. 3
Trio Sonatas Op. 3 is a collection of baroque chamber works for two violins and continuo by Arcangelo Corelli that helped shape the trio sonata genre in late 17th-century Italy.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: C. P. E. Bach keyboard sonatas of the 1760s–1770s Target entity description: The C. P. E. Bach keyboard sonatas of the 1760s–1770s are expressive, emotionally charged works that exemplify the early Classical era’s shift toward heightened drama and individuality in instrumental music.
-
A.
The Well-Tempered Clavier
The Well-Tempered Clavier is a landmark collection of keyboard preludes and fugues in all 24 major and minor keys by Johann Sebastian Bach, celebrated for its technical rigor and profound musical expression.
-
B.
Trio Sonatas Op. 1
Trio Sonatas Op. 1 is Arcangelo Corelli’s influential early collection of trio sonatas that helped define the Baroque chamber music style.
-
C.
Brandenburg Concertos
The Brandenburg Concertos are a celebrated collection of six Baroque instrumental works by Johann Sebastian Bach, renowned for their rich orchestration and inventive musical forms.
-
D.
Musical Offering
Musical Offering is a renowned collection of canons, fugues, and a trio sonata by Johann Sebastian Bach, based on a theme provided by Frederick the Great and celebrated for its intricate contrapuntal writing.
-
E.
Trio Sonatas Op. 3
Trio Sonatas Op. 3 is a collection of baroque chamber works for two violins and continuo by Arcangelo Corelli that helped shape the trio sonata genre in late 17th-century Italy.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
instrumental music repertoire
ⓘ
keyboard sonata collection ⓘ |
| associatedWith |
Empfindsamkeit movement
ⓘ
North German organ school ⓘ
surface form:
North German school of keyboard music
|
| composer | Carl Philipp Emanuel Bach ⓘ |
| countryOfOrigin | Germany ⓘ |
| emotion |
agitation
ⓘ
melancholy ⓘ pathos ⓘ tenderness ⓘ |
| endTime | 1779 ⓘ |
| feature |
dramatic contrasts between sections
ⓘ
expressive use of silence and rests ⓘ irregular phrase structures ⓘ ornamented melodic lines ⓘ unexpected harmonic turns ⓘ |
| genre |
instrumental music
ⓘ
keyboard sonata ⓘ |
| historicalSignificance |
exemplify empfindsamer Stil aesthetics in instrumental music
ⓘ
illustrate transition from Baroque to Classical style ⓘ |
| influenced |
early Classical keyboard writing
ⓘ
later Classical sonata style ⓘ |
| languageOfTitle |
German
ⓘ
Italian ⓘ |
| movementCount | varies between two and three movements ⓘ |
| musicalForm |
multi-movement sonata
ⓘ
sonata-allegro elements ⓘ |
| notableFeature |
emotional intensity
ⓘ
expressive character ⓘ frequent changes of mood ⓘ high degree of individuality ⓘ sudden dynamic contrasts ⓘ |
| partOf | C. P. E. Bach’s keyboard oeuvre ⓘ |
| period | early Classical era ⓘ |
| relatedTo | development of Classical sonata form ⓘ |
| relatedWork | C. P. E. Bach keyboard sonatas of the 1740s–1750s ⓘ |
| startTime | 1760 ⓘ |
| style | Empfindsamer Stil ⓘ |
| tempoStructure | contrasting fast and slow movements ⓘ |
| texture | predominantly homophonic ⓘ |
| typicalInstrumentation |
clavichord
ⓘ
early fortepiano ⓘ harpsichord ⓘ |
| usedFor |
concert performance
ⓘ
domestic music-making ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: C. P. E. Bach keyboard sonatas of the 1760s–1770s Description of subject: The C. P. E. Bach keyboard sonatas of the 1760s–1770s are expressive, emotionally charged works that exemplify the early Classical era’s shift toward heightened drama and individuality in instrumental music.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.