C. P. E. Bach keyboard sonatas of the 1760s–1770s

E215012

The C. P. E. Bach keyboard sonatas of the 1760s–1770s are expressive, emotionally charged works that exemplify the early Classical era’s shift toward heightened drama and individuality in instrumental music.

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Predicate Object
instanceOf instrumental music repertoire
keyboard sonata collection
associatedWith Empfindsamkeit movement
North German organ school
surface form: North German school of keyboard music
composer Carl Philipp Emanuel Bach
countryOfOrigin Germany
emotion agitation
melancholy
pathos
tenderness
endTime 1779
feature dramatic contrasts between sections
expressive use of silence and rests
irregular phrase structures
ornamented melodic lines
unexpected harmonic turns
genre instrumental music
keyboard sonata
historicalSignificance exemplify empfindsamer Stil aesthetics in instrumental music
illustrate transition from Baroque to Classical style
influenced early Classical keyboard writing
later Classical sonata style
languageOfTitle German
Italian
movementCount varies between two and three movements
musicalForm multi-movement sonata
sonata-allegro elements
notableFeature emotional intensity
expressive character
frequent changes of mood
high degree of individuality
sudden dynamic contrasts
partOf C. P. E. Bach’s keyboard oeuvre
period early Classical era
relatedTo development of Classical sonata form
relatedWork C. P. E. Bach keyboard sonatas of the 1740s–1750s
startTime 1760
style Empfindsamer Stil
tempoStructure contrasting fast and slow movements
texture predominantly homophonic
typicalInstrumentation clavichord
early fortepiano
harpsichord
usedFor concert performance
domestic music-making

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Sturm und Drang hasNotableMusicWork C. P. E. Bach keyboard sonatas of the 1760s–1770s