Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14
E203711
Robert Schumann’s Piano Sonata No. 3 in F minor, Op. 14 is a virtuosic and emotionally intense Romantic piano work notable for its dramatic contrasts and rich lyrical themes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773156 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14 Context triple: [Clara Schumann, dedicateeOf, Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14]
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A.
Robert Schumann: Piano Sonata No. 2 in G minor, Op. 22
Robert Schumann's Piano Sonata No. 2 in G minor, Op. 22 is a virtuosic and emotionally intense Romantic piano work noted for its dramatic contrasts and structural complexity.
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B.
Robert Schumann: Piano Sonata No. 1 in F-sharp minor, Op. 11
Robert Schumann’s Piano Sonata No. 1 in F-sharp minor, Op. 11 is a large-scale, early Romantic piano work noted for its passionate intensity, lyrical themes, and cyclical structure.
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C.
Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5
Johannes Brahms’ Piano Sonata No. 3 in F minor, Op. 5 is a large-scale, virtuosic Romantic piano work notable for its five-movement structure and dramatic, symphonic character.
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D.
Johannes Brahms: Piano Sonata No. 2 in F-sharp minor, Op. 2
Johannes Brahms’ Piano Sonata No. 2 in F-sharp minor, Op. 2 is an early large-scale Romantic piano work notable for its virtuosic demands, dramatic intensity, and rich, symphonic textures.
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E.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14 Target entity description: Robert Schumann’s Piano Sonata No. 3 in F minor, Op. 14 is a virtuosic and emotionally intense Romantic piano work notable for its dramatic contrasts and rich lyrical themes.
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A.
Robert Schumann: Piano Sonata No. 2 in G minor, Op. 22
Robert Schumann's Piano Sonata No. 2 in G minor, Op. 22 is a virtuosic and emotionally intense Romantic piano work noted for its dramatic contrasts and structural complexity.
-
B.
Robert Schumann: Piano Sonata No. 1 in F-sharp minor, Op. 11
Robert Schumann’s Piano Sonata No. 1 in F-sharp minor, Op. 11 is a large-scale, early Romantic piano work noted for its passionate intensity, lyrical themes, and cyclical structure.
-
C.
Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5
Johannes Brahms’ Piano Sonata No. 3 in F minor, Op. 5 is a large-scale, virtuosic Romantic piano work notable for its five-movement structure and dramatic, symphonic character.
-
D.
Johannes Brahms: Piano Sonata No. 2 in F-sharp minor, Op. 2
Johannes Brahms’ Piano Sonata No. 2 in F-sharp minor, Op. 2 is an early large-scale Romantic piano work notable for its virtuosic demands, dramatic intensity, and rich, symphonic textures.
-
E.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
piano sonata
ⓘ
solo piano work ⓘ |
| alternativeTitle | Concert sans orchestre ⓘ |
| belongsToRepertoire | Romantic piano repertoire ⓘ |
| catalogNumber | Op. 14 ⓘ |
| composer | Robert Schumann ⓘ |
| compositionEndYear | 1836 ⓘ |
| compositionStartYear | 1835 ⓘ |
| countryOfOrigin | Germany ⓘ |
| dedicatedTo | Ignaz Moscheles ⓘ |
| firstPublicationYear | 1837 ⓘ |
| genre | Romantic piano music ⓘ |
| hasCharacter |
impetuous and dramatic outer movements
ⓘ
lyrical and introspective inner movements ⓘ |
| hasForm |
sonata form elements
ⓘ
variation form elements ⓘ |
| hasSection | Quasi variazioni movement ⓘ |
| influencedBy | early Romantic virtuoso tradition ⓘ |
| key | F minor ⓘ |
| languageOfTitle | French ⓘ |
| middleMovementBasedOn | theme by Clara Wieck ⓘ |
| movement |
I. Allegro brillante
ⓘ
II. Scherzo ⓘ III. Quasi variazioni: Andantino de Clara Wieck ⓘ IV. Prestissimo possibile ⓘ |
| notableFeature |
cyclical use of thematic material
ⓘ
dramatic contrasts ⓘ rich lyrical themes ⓘ virtuosic piano writing ⓘ |
| notableRecordingArtists |
Claudio Arrau
ⓘ
Martha Argerich ⓘ Maurizio Pollini ⓘ |
| numberOfMovements | 4 ⓘ |
| opusNumber | Op. 14 ⓘ |
| originalTitle | Concert sans orchestre ⓘ |
| partOf | Robert Schumann piano sonatas ⓘ |
| period | Romantic era ⓘ |
| placeOfFirstPublication | Leipzig ⓘ |
| publisher | Breitkopf & Härtel ⓘ |
| revisedInYear | 1853 ⓘ |
| scoring | solo piano ⓘ |
| style |
emotionally intense
ⓘ
highly virtuosic ⓘ |
| tonalCenter | F minor ⓘ |
| typicalPerformanceDuration | about 30 minutes ⓘ |
| usesMaterialBy |
Clara Schumann
ⓘ
surface form:
Clara Wieck
|
| workNumberInComposerOutput | third piano sonata by Robert Schumann ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14 Description of subject: Robert Schumann’s Piano Sonata No. 3 in F minor, Op. 14 is a virtuosic and emotionally intense Romantic piano work notable for its dramatic contrasts and rich lyrical themes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Clara Schumann (as dedicatee and performer)
→
dedicateeOf
→
Robert Schumann: Piano Sonata No. 3 in F minor, Op. 14
ⓘ
subject surface form:
Clara Schumann