Pieter Lastman

E14185

Pieter Lastman was a Dutch painter of the early 17th century, renowned for his dramatic historical and biblical scenes and for being a key artistic influence on his pupil Rembrandt.

All labels observed (2)

Label Occurrences
Pieter Lastman canonical 6
Pieter Pietersz Lastman 1

How this entity was disambiguated

Statements (47)

Predicate Object
instanceOf Dutch Golden Age painter
human
painter
activePeriod early 17th century
artForm painting
artisticStyle complex compositions
dramatic lighting
narrative detail
birthCountry Dutch Republic
birthDate 1583-01-01
birthPlace Amsterdam
birthYear 1583
countryOfCitizenship Dutch Republic
deathDate 1633-01-01
deathYear 1633
era Baroque
surface form: Baroque era
fieldOfWork biblical painting
history painting
mythological painting
genre history painting
mythological art
religious art
influenced Jan Lievens
Rembrandt van Rijn
surface form: Rembrandt
influencedBy Adam Elsheimer
Caravaggio
knownFor biblical scenes
dramatic historical scenes
movement Baroque
Dutch Golden Age
name Pieter Lastman self-link
nationality Dutch
notability key influence on Rembrandt
notableStudent Jan Lievens
Rembrandt van Rijn
surface form: Rembrandt
notableWork Odysseus and Nausicaa
Tobit
surface form: The Angel and Tobias with the Fish

The Baptism of the Eunuch
Akedah
surface form: The Sacrifice of Abraham
occupation painter
residence Amsterdam
sexOrGender male
signatureLanguage Dutch
teacherOf Jan Lievens
Rembrandt van Rijn
surface form: Rembrandt
trainedIn Amsterdam
workedIn Amsterdam

How these facts were elicited

Referenced by (7)

Full triples — surface form annotated when it differs from this entity's canonical label.

Rembrandt van Rijn studentOf Pieter Lastman
Pieter Lastman name Pieter Lastman self-link
Odysseus and Nausicaa creator Pieter Lastman
Odysseus and Nausicaa artist Pieter Lastman
The Baptism of the Eunuch creator Pieter Lastman
The Baptism of the Eunuch creator Pieter Lastman
this entity surface form: Pieter Pietersz Lastman
Thomas de Keyser influencedBy Pieter Lastman