The Jazz Singer (1927 film)

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The Jazz Singer (1927 film) is a landmark American musical drama widely regarded as the first feature-length motion picture with synchronized dialogue sequences, marking the dawn of the sound era in cinema.


Statements (49)
Predicate Object
instanceOf American film
black-and-white film
film
musical drama film
basedOn The Day of Atonement (short story)
The Jazz Singer (play)
cinematographyBy Hal Mohr
colorProcess black-and-white
countryOfOrigin United States
director Alan Crosland
distributor Warner Bros. Pictures
editedBy Harold McCord
featuresSong Blue Skies
Dirty Hands, Dirty Face
Kol Nidre
My Mammy
Toot, Toot, Tootsie
filmFormat Vitaphone sound-on-disc
filmSeries Vitaphone sound films
genre drama film
musical film
hasTheme assimilation of Jewish immigrants in America
generational conflict
pursuit of show-business career
historicalSignificance early sound feature film
includedIn National Film Registry
languageOfSoundtrack English
leadActor Al Jolson
mainCharacter Jack Robin
Jakie Rabinowitz
musicBy Louis Silvers
notableFor first feature-length motion picture with synchronized dialogue sequences
marking the dawn of the sound era in cinema
originalLanguage English
portrays conflict between religious tradition and show business
portraysReligion Judaism
producer Darryl F. Zanuck
Warner Bros.
productionCompany Warner Bros.
releaseDate 1927-10-06
releaseYear 1927
runtimeMinutes 89
screenwriter Alfred A. Cohn
setInPeriod 1920s
starring Al Jolson
Eugenie Besserer
May McAvoy
Warner Oland
storyBy Samson Raphaelson

Referenced by (9)
Subject (surface form when different) Predicate
Al Jolson ("The Jazz Singer")
Alfred A. Cohn ("The Jazz Singer")
Louis Silvers ("The Jazz Singer")
notableWork
The Jazz Singer (1927 film) ("The Jazz Singer (play)")
basedOn
The Singing Fool ("The Jazz Singer")
follows
Lights of New York (1928 film) ("The Jazz Singer")
precededBy
Al Jolson as Al Stone ("The Jazz Singer")
relatedWork
Vitaphone
usedInFilm
Alfred A. Cohn ("The Jazz Singer")
wrote

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