L’École des maris
E117753
L’École des maris is a 1661 comedic play by Molière that satirizes authoritarian guardianship and contrasting attitudes toward marriage and female autonomy.
All labels observed (1)
| Label | Occurrences |
|---|---|
| L’École des maris canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T987115 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: L’École des maris Context triple: [Molière, notableWork, L’École des maris]
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A.
Madeleine in the Bois d’Amour
Madeleine in the Bois d’Amour is a Post-Impressionist painting by Émile Bernard that depicts a contemplative female figure in a wooded landscape, reflecting the artist’s Symbolist and Cloisonnist style.
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B.
Madame Mentelle’s finishing school
Madame Mentelle’s finishing school was a prominent early 19th-century girls’ academy in Lexington, Kentucky, known for providing refined social, cultural, and academic education to young women from notable families, including Mary Todd Lincoln.
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C.
Le Bonheur
Le Bonheur is a philosophical poetry collection by French poet and Nobel laureate Sully Prudhomme that meditates on the nature and pursuit of human happiness.
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D.
Madame Mère
Madame Mère was the honorific title of Letizia Ramolino, the mother of Napoleon Bonaparte and matriarch of the Bonaparte family.
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E.
Splendeurs et misères des courtisanes
Splendeurs et misères des courtisanes is a major novel in Honoré de Balzac’s La Comédie humaine that explores the intertwined worlds of Parisian high society, crime, and prostitution in the early 19th century.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: L’École des maris Target entity description: L’École des maris is a 1661 comedic play by Molière that satirizes authoritarian guardianship and contrasting attitudes toward marriage and female autonomy.
-
A.
Madeleine in the Bois d’Amour
Madeleine in the Bois d’Amour is a Post-Impressionist painting by Émile Bernard that depicts a contemplative female figure in a wooded landscape, reflecting the artist’s Symbolist and Cloisonnist style.
-
B.
Madame Mentelle’s finishing school
Madame Mentelle’s finishing school was a prominent early 19th-century girls’ academy in Lexington, Kentucky, known for providing refined social, cultural, and academic education to young women from notable families, including Mary Todd Lincoln.
-
C.
Le Bonheur
Le Bonheur is a philosophical poetry collection by French poet and Nobel laureate Sully Prudhomme that meditates on the nature and pursuit of human happiness.
-
D.
Madame Mère
Madame Mère was the honorific title of Letizia Ramolino, the mother of Napoleon Bonaparte and matriarch of the Bonaparte family.
-
E.
Splendeurs et misères des courtisanes
Splendeurs et misères des courtisanes is a major novel in Honoré de Balzac’s La Comédie humaine that explores the intertwined worlds of Parisian high society, crime, and prostitution in the early 19th century.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
comedy
ⓘ
play ⓘ stage work ⓘ |
| author | Molière ⓘ |
| centuryOfWork | 17th century ⓘ |
| characterType |
guardian figures
ⓘ
young women wards ⓘ |
| countryOfOrigin | France ⓘ |
| culturalContext |
Ancien Régime
ⓘ
surface form:
Ancien Régime France
|
| dramaticForm | five-act comedy ⓘ |
| dramaticTechnique |
comic misunderstanding
ⓘ
situational irony ⓘ verbal wit ⓘ |
| dramaticTradition | French neoclassical comedy ⓘ |
| firstPerformanceDate | 1661 ⓘ |
| genre |
comedy
ⓘ
satire ⓘ |
| hasAuthorRole | Molière as playwright ⓘ |
| hasForm | comedy of manners ⓘ |
| influenced | L’École des femmes ⓘ |
| intendedAudience | court and city audiences in 17th-century France ⓘ |
| languageRegister | classical French ⓘ |
| literaryGenre | French classical comedy ⓘ |
| literaryMovement | French classical theatre ⓘ |
| mainTheme |
authoritarian guardianship
ⓘ
contrasting attitudes toward women ⓘ female autonomy ⓘ marriage ⓘ |
| narrativeDevice | contrast between strict and lenient guardians ⓘ |
| originalLanguage | French ⓘ |
| originalMedium | theatre ⓘ |
| originalTitle | L’École des maris self-link ⓘ |
| performedBy |
troupe of the Duke of Orléans
ⓘ
surface form:
Molière’s troupe
|
| placeOfFirstPerformance | Paris ⓘ |
| publicationDate | 1661 ⓘ |
| settingPeriod | 17th century France ⓘ |
| structure | in verse ⓘ |
| subjectMatter |
control of women by male guardians
ⓘ
marital choice ⓘ patriarchal authority ⓘ |
| theme |
conflict between freedom and control
ⓘ
education of husbands ⓘ hypocrisy of moral rigorism ⓘ |
| titleInEnglish | The School for Husbands ⓘ |
| workOf | Molière’s early career ⓘ |
| workType | theatrical comedy ⓘ |
| writer | Molière ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: L’École des maris Description of subject: L’École des maris is a 1661 comedic play by Molière that satirizes authoritarian guardianship and contrasting attitudes toward marriage and female autonomy.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.