Accla Taqui (Chant of the Chosen Maidens)
E116545
Accla Taqui (Chant of the Chosen Maidens) is a song from the classic Peruvian album "Voice of the Xtabay," showcasing Yma Sumac’s extraordinary vocal range and exotic, Andean-influenced style.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Accla Taqui (Chant of the Chosen Maidens) canonical | 2 |
| Yma Sumac repertoire | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T985699 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Accla Taqui (Chant of the Chosen Maidens) Context triple: [Voice of the Xtabay, hasTrack, Accla Taqui (Chant of the Chosen Maidens)]
-
A.
Tower of Song
"Tower of Song" is a reflective, wryly humorous song by Leonard Cohen that meditates on aging, artistry, and the burdens and rewards of a life devoted to songwriting.
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B.
Litany
The Litany is a traditional Christian form of responsive prayer, especially prominent in Anglican worship, consisting of a series of petitions and supplications recited by a leader and answered by the congregation.
-
C.
Heraia
Heraia was an ancient Greek women’s athletic festival and footrace held at Olympia in honor of the goddess Hera.
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D.
Vespers
Vespers is an evening prayer service in the Byzantine Rite, marking the liturgical beginning of the day with psalms, hymns, and incense.
-
E.
Hymn of the Charter
Hymn of the Charter is the English name for "Hino da Carta," the national anthem of Portugal during the constitutional monarchy established by the Constitutional Charter of 1826.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Accla Taqui (Chant of the Chosen Maidens) Target entity description: Accla Taqui (Chant of the Chosen Maidens) is a song from the classic Peruvian album "Voice of the Xtabay," showcasing Yma Sumac’s extraordinary vocal range and exotic, Andean-influenced style.
-
A.
Tower of Song
"Tower of Song" is a reflective, wryly humorous song by Leonard Cohen that meditates on aging, artistry, and the burdens and rewards of a life devoted to songwriting.
-
B.
Litany
The Litany is a traditional Christian form of responsive prayer, especially prominent in Anglican worship, consisting of a series of petitions and supplications recited by a leader and answered by the congregation.
-
C.
Heraia
Heraia was an ancient Greek women’s athletic festival and footrace held at Olympia in honor of the goddess Hera.
-
D.
Vespers
Vespers is an evening prayer service in the Byzantine Rite, marking the liturgical beginning of the day with psalms, hymns, and incense.
-
E.
Hymn of the Charter
Hymn of the Charter is the English name for "Hino da Carta," the national anthem of Portugal during the constitutional monarchy established by the Constitutional Charter of 1826.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
song ⓘ |
| albumArtist | Yma Sumac ⓘ |
| associatedWith | Inca-inspired imagery ⓘ |
| countryOfOrigin | Peru ⓘ |
| features |
dramatic dynamic contrasts
ⓘ
extraordinary vocal range ⓘ wordless vocalizations ⓘ |
| firstReleasedOn | Voice of the Xtabay ⓘ |
| genre |
Andean music
ⓘ
exotica ⓘ world music ⓘ |
| hasCulturalContext |
Peruvian popular music history
ⓘ
mid-20th-century exotica movement ⓘ |
| hasLanguage | Spanish ⓘ |
| hasTheme |
mystical Andean atmosphere
ⓘ
ritualistic chant ⓘ |
| includedIn | classic Peruvian album Voice of the Xtabay ⓘ |
| influencedBy |
Andean music
ⓘ
surface form:
Andean folk music
indigenous Peruvian music traditions ⓘ |
| notableFor |
Andean-influenced style
ⓘ
exotic orchestration ⓘ Overtone ⓘ
surface form:
showcasing Yma Sumac’s extreme vocal range
|
| partOfAlbum | Voice of the Xtabay ⓘ |
| performedBy | Yma Sumac ⓘ |
| performer | Yma Sumac ⓘ |
| recordLabel | Capitol Records ⓘ |
| releaseDecade | 1950s ⓘ |
| title | Accla Taqui (Chant of the Chosen Maidens) self-link ⓘ |
| vocalType | coloratura soprano ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Accla Taqui (Chant of the Chosen Maidens) Description of subject: Accla Taqui (Chant of the Chosen Maidens) is a song from the classic Peruvian album "Voice of the Xtabay," showcasing Yma Sumac’s extraordinary vocal range and exotic, Andean-influenced style.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.