Paul

E1008822

Paul is the tormented protagonist of Erich Wolfgang Korngold’s opera "Die tote Stadt," struggling with grief and obsession over his dead wife in the decaying city of Bruges.

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Observed surface forms (1)

Surface form Occurrences
Paul (Die tote Stadt) 0

Statements (49)

Predicate Object
instanceOf fictional character
opera character
protagonist
appearsIn Die tote Stadt NERFINISHED
appearsInAct Act I of Die tote Stadt NERFINISHED
Act II of Die tote Stadt NERFINISHED
Act III of Die tote Stadt NERFINISHED
artFormContext late-Romantic opera
associatedTheme Eros and Thanatos (love and death) NERFINISHED
memory and illusion
religious guilt
basedOn Paul in "Bruges-la-Morte" NERFINISHED
centralConflict confusion between memory and reality
inability to accept his wife Marie’s death
characterArc from obsessive mourning toward renunciation
cityDescribedAs Die tote Stadt (the dead city) NERFINISHED
createdBy Erich Wolfgang Korngold NERFINISHED
Paul Schott NERFINISHED
dramaticFunction focus of psychological drama
emotion grief over his dead wife
fictionalUniverse Die tote Stadt NERFINISHED
firstPerformanceContext premiere of Die tote Stadt in 1920
friend Frank (Die tote Stadt) NERFINISHED
gender male
hallucinates procession of monks and nuns in Bruges
visions blending Marie and Marietta
housekeeper Brigitta (Die tote Stadt) NERFINISHED
keeps lock of Marie’s hair
portraits of Marie
shrine to Marie
languageOfWork German
librettoBy Paul Schott (pseudonym of Julius and Erich Wolfgang Korngold) NERFINISHED
maritalStatus widower
meets Marietta (Die tote Stadt) NERFINISHED
nationalTraditionOfWork Austro-German opera
notableScene confrontation with Marietta in his shrine room
vision of strangling Marietta with Marie’s hair
occupation bourgeois citizen of Bruges
perceivesAs double of Marie
primaryTrait grief-stricken
obsessive
relationshipWithMarietta attempt to resurrect Marie through Marietta GENERATED
erotic obsession GENERATED
religiousBackground Catholic milieu
residence Bruges NERFINISHED
settingTime late 19th century or early 20th century Bruges
spouse Marie (Die tote Stadt) NERFINISHED
symbolicallyRepresents danger of living in the past
pathological mourning

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.