Triple
T9579683
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Love, Marriage & Divorce |
E231135
|
entity |
| Predicate | notableTrack |
P8087
|
FINISHED |
| Object | Where Did We Go Wrong? |
E807952
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Where Did We Go Wrong? | Statement: [Love, Marriage & Divorce, notableTrack, Where Did We Go Wrong?]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Where Did We Go Wrong? Context triple: [Love, Marriage & Divorce, notableTrack, Where Did We Go Wrong?]
-
A.
Where Did We Go Wrong?
chosen
"Where Did We Go Wrong?" is a song from the collaborative R&B album "Love, Marriage & Divorce" by Toni Braxton and Babyface.
-
B.
Where Did It All Go Wrong?
"Where Did It All Go Wrong?" is a song by English rock band Oasis from their 2000 album "Standing on the Shoulder of Giants," noted for its introspective lyrics and melancholic tone.
-
C.
Where Are We Now?
"Where Are We Now?" is a reflective, melancholic song by David Bowie that marked his surprise comeback in 2013 after a decade-long hiatus.
-
D.
Where Do We Go
"Where Do We Go" is a song title that likely explores themes of uncertainty, direction, or searching for meaning.
-
E.
Where Did You Go?
"Where Did You Go?" is one of the individual song settings within John Harbison’s vocal cycle *Mirabai Songs*, based on the ecstatic poetry of the 16th-century Indian mystic Mirabai.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca848091c48190bc313d6620d09555 |
completed | March 30, 2026, 2:11 p.m. |
| NER | Named-entity recognition | batch_69cd99ca96a48190a6fbe88387be6883 |
completed | April 1, 2026, 10:18 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69d1790fbfb88190b1d12f5ed3d4ef7e |
completed | April 4, 2026, 8:48 p.m. |
Created at: March 30, 2026, 8:05 p.m.