Triple
T8626871
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Jay Leyda |
E204299
|
entity |
| Predicate | studied |
P778
|
FINISHED |
| Object | Dziga Vertov |
E230380
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Dziga Vertov | Statement: [Jay Leyda, studied, Dziga Vertov]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Dziga Vertov Context triple: [Jay Leyda, studied, Dziga Vertov]
-
A.
Dziga Vertov
chosen
Dziga Vertov was a pioneering Soviet documentary filmmaker and film theorist best known for his radical montage techniques and the landmark film "Man with a Movie Camera."
-
B.
Vsevolod Pudovkin
Vsevolod Pudovkin was a pioneering Soviet film director and theorist renowned for his influential contributions to montage editing and early cinematic narrative.
-
C.
Sergei Eisenstein
Sergei Eisenstein was a pioneering Soviet film director and theorist, best known for his innovative montage techniques in classics like "Battleship Potemkin" that profoundly shaped the language of cinema.
-
D.
Mikhail Kalatozov
Mikhail Kalatozov was a Soviet film director and screenwriter best known internationally for his visually innovative and Palme d'Or–winning film "The Cranes Are Flying."
-
E.
Esfir Shub
Esfir Shub was a pioneering Soviet filmmaker and editor best known for her innovative compilation documentaries that helped define the aesthetics of Soviet montage cinema.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca834a4ea0819094970dceb9e389f3 |
completed | March 30, 2026, 2:06 p.m. |
| NER | Named-entity recognition | batch_69cc472b8fa481909f52f83ea210483e |
completed | March 31, 2026, 10:14 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69d0c696913c819089f29ec899d4ee61 |
completed | April 4, 2026, 8:06 a.m. |
Created at: March 30, 2026, 6:26 p.m.