Triple

T8626313
Position Surface form Disambiguated ID Type / Status
Subject Cahiers du Cinéma E204287 entity
Predicate translatedTitle P6688 FINISHED
Object Notebooks on Cinema
Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
E747613 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Notebooks on Cinema | Statement: [Cahiers du Cinéma, translatedTitle, Notebooks on Cinema]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Notebooks on Cinema
Context triple: [Cahiers du Cinéma, translatedTitle, Notebooks on Cinema]
  • A. “Discovering Cinema”
    “Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
  • B. Gerard Malanga’s Film Notebooks
    Gerard Malanga’s Film Notebooks is a collection of writings and archival materials documenting poet and filmmaker Gerard Malanga’s involvement in avant-garde cinema and the New York underground film scene.
  • C. Cinema 1: The Movement-Image
    "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
  • D. The Film Sense
    The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
  • E. Cinema 2: The Time-Image
    Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Notebooks on Cinema
Triple: [Cahiers du Cinéma, translatedTitle, Notebooks on Cinema]
Generated description
Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Notebooks on Cinema
Target entity description: Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
  • A. “Discovering Cinema”
    “Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
  • B. Gerard Malanga’s Film Notebooks
    Gerard Malanga’s Film Notebooks is a collection of writings and archival materials documenting poet and filmmaker Gerard Malanga’s involvement in avant-garde cinema and the New York underground film scene.
  • C. Cinema 1: The Movement-Image
    "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
  • D. The Film Sense
    The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
  • E. Cinema 2: The Time-Image
    Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69ca834a4ea0819094970dceb9e389f3 completed March 30, 2026, 2:06 p.m.
NER Named-entity recognition batch_69cc472b8fa481909f52f83ea210483e completed March 31, 2026, 10:14 p.m.
NED1 Entity disambiguation (via context triple) batch_69cebbf03c688190a989f16675f6e8a6 completed April 2, 2026, 6:56 p.m.
NEDg Description generation batch_69cebdd3ae908190bc4108b766585cbc completed April 2, 2026, 7:04 p.m.
NED2 Entity disambiguation (via description) batch_69cebf1825008190a97cd2df10f8e406 completed April 2, 2026, 7:10 p.m.
Created at: March 30, 2026, 6:26 p.m.