Triple
T8488193
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Love Theme |
E200883
|
entity |
| Predicate | recordedFor |
P19351
|
FINISHED |
| Object | Blade Runner film score |
E39557
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Blade Runner film score | Statement: [Love Theme, recordedFor, Blade Runner film score]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Blade Runner film score Context triple: [Love Theme, recordedFor, Blade Runner film score]
-
A.
Blade Runner (film score)
chosen
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
B.
Blade Runner 2049 score
The Blade Runner 2049 score is the atmospheric, synth-driven film soundtrack co-composed by Benjamin Wallfisch and Hans Zimmer for Denis Villeneuve’s 2017 science fiction sequel, noted for its immersive, futuristic soundscapes that echo and expand on Vangelis’s original Blade Runner music.
-
C.
Alien (1979 film score)
Alien (1979 film score) is Jerry Goldsmith’s atmospheric and suspenseful orchestral soundtrack for Ridley Scott’s science-fiction horror film Alien, renowned for its eerie textures and tension-building themes.
-
D.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
E.
The Guardian (film score)
The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca831d7b148190a6e32c1de43ab13b |
completed | March 30, 2026, 2:05 p.m. |
| NER | Named-entity recognition | batch_69cbe556b5188190b1124effd7445803 |
completed | March 31, 2026, 3:16 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69cebb5dbfc08190827e8e886a37a8be |
completed | April 2, 2026, 6:54 p.m. |
Created at: March 30, 2026, 6:13 p.m.