Triple

T8488176
Position Surface form Disambiguated ID Type / Status
Subject Love Theme E200883 entity
Predicate partOf P40 FINISHED
Object Blade Runner (Original Motion Picture Soundtrack) E39557 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Blade Runner (Original Motion Picture Soundtrack) | Statement: [Love Theme, partOf, Blade Runner (Original Motion Picture Soundtrack)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Blade Runner (Original Motion Picture Soundtrack)
Context triple: [Love Theme, partOf, Blade Runner (Original Motion Picture Soundtrack)]
  • A. Blade Runner (film score) chosen
    Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
  • B. Blade Runner 2049 score
    The Blade Runner 2049 score is the atmospheric, synth-driven film soundtrack co-composed by Benjamin Wallfisch and Hans Zimmer for Denis Villeneuve’s 2017 science fiction sequel, noted for its immersive, futuristic soundscapes that echo and expand on Vangelis’s original Blade Runner music.
  • C. Alien (1979 film score)
    Alien (1979 film score) is Jerry Goldsmith’s atmospheric and suspenseful orchestral soundtrack for Ridley Scott’s science-fiction horror film Alien, renowned for its eerie textures and tension-building themes.
  • D. Heaven and Hell (Vangelis)
    "Heaven and Hell" is a 1975 electronic and orchestral album by Greek composer Vangelis, best known for its dramatic, cosmic sound that later became associated with the TV series "Cosmos: A Personal Voyage."
  • E. Close Encounters of the Third Kind film score
    The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69ca831d7b148190a6e32c1de43ab13b completed March 30, 2026, 2:05 p.m.
NER Named-entity recognition batch_69cbe556b5188190b1124effd7445803 completed March 31, 2026, 3:16 p.m.
NED1 Entity disambiguation (via context triple) batch_69cea83707e481909f9dfd6450a28d3d completed April 2, 2026, 5:32 p.m.
Created at: March 30, 2026, 6:13 p.m.