Triple

T7389946
Position Surface form Disambiguated ID Type / Status
Subject Theses on the Philosophy of History E170472 entity
Predicate relatedWorkByAuthor P922 FINISHED
Object The Work of Art in the Age of Mechanical Reproduction E170471 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Work of Art in the Age of Mechanical Reproduction | Statement: [Theses on the Philosophy of History, relatedWorkByAuthor, The Work of Art in the Age of Mechanical Reproduction]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: The Work of Art in the Age of Mechanical Reproduction
Context triple: [Theses on the Philosophy of History, relatedWorkByAuthor, The Work of Art in the Age of Mechanical Reproduction]
  • A. The Work of Art in the Age of Mechanical Reproduction chosen
    The Work of Art in the Age of Mechanical Reproduction is a seminal 1936 essay by Walter Benjamin that analyzes how mass reproduction technologies transform the nature, value, and social function of art.
  • B. The Treachery of Images
    The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
  • C. The Dialectics of Seeing: Walter Benjamin and the Arcades Project
    The Dialectics of Seeing: Walter Benjamin and the Arcades Project is a major work of critical theory in which Susan Buck-Morss reconstructs and interprets Walter Benjamin’s unfinished Arcades Project to explore modernity, urban experience, and historical materialism.
  • D. La deshumanización del arte
    La deshumanización del arte is a 1925 essay by Spanish philosopher José Ortega y Gasset that analyzes the emergence of modern art and its deliberate break from traditional, human-centered representation.
  • E. The Isms of Art
    The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69c68a5e2c9081909e713ce866e0060a completed March 27, 2026, 1:47 p.m.
NER Named-entity recognition batch_69c6f2216a5c8190a933b24fda4530d8 completed March 27, 2026, 9:09 p.m.
NED1 Entity disambiguation (via context triple) batch_69c81ecf65388190a149efc77aedcd91 completed March 28, 2026, 6:32 p.m.
Created at: March 27, 2026, 3:09 p.m.