Triple
T7284616
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Philosophy of New Music |
E163834
|
entity |
| Predicate | originalTitle |
P65
|
FINISHED |
| Object | Philosophie der neuen Musik |
E163834
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Philosophie der neuen Musik | Statement: [Philosophy of New Music, originalTitle, Philosophie der neuen Musik]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Philosophie der neuen Musik Context triple: [Philosophy of New Music, originalTitle, Philosophie der neuen Musik]
-
A.
Philosophy of New Music
chosen
Philosophy of New Music is a seminal 1949 work of critical musicology and aesthetic theory by Theodor W. Adorno that contrasts Schoenberg’s modernism with Stravinsky’s neoclassicism to explore the social and philosophical meaning of twentieth-century music.
-
B.
The Aesthetics of Music
The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
-
C.
Penser la musique aujourd’hui
Penser la musique aujourd’hui is a theoretical and analytical essay by composer-conductor Pierre Boulez that explores the foundations and future directions of contemporary music.
-
D.
Die Lehre von den Tonempfindungen
Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
-
E.
Traité de la forme musicale
Traité de la forme musicale is a theoretical music treatise by composer and theorist René Leibowitz that analyzes and explains the principles and structures of musical form.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69c6886093b88190a254b1ce6db8bae7 |
completed | March 27, 2026, 1:38 p.m. |
| NER | Named-entity recognition | batch_69c6eb5071ec8190806f2e3e3bea06c7 |
completed | March 27, 2026, 8:40 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69c7db3e1fd081908457b8202c43f64f |
completed | March 28, 2026, 1:44 p.m. |
Created at: March 27, 2026, 2:59 p.m.