Triple
T6585223
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Jamming |
E159202
|
entity |
| Predicate | hasLiveVersion |
P18107
|
FINISHED |
| Object |
Jamming (live at the Rainbow Theatre)
"Jamming (live at the Rainbow Theatre)" is a live performance recording of Bob Marley and the Wailers’ song "Jamming," captured during their concert at London’s Rainbow Theatre.
|
E602536
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Jamming (live at the Rainbow Theatre) | Statement: [Jamming, hasLiveVersion, Jamming (live at the Rainbow Theatre)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Jamming (live at the Rainbow Theatre) Context triple: [Jamming, hasLiveVersion, Jamming (live at the Rainbow Theatre)]
-
A.
Live at the Palace
Live at the Palace is a posthumously released live album by Blind Melon capturing one of the band’s energetic performances during their 1990s heyday.
-
B.
Live at the Apollo
Live at the Apollo is a landmark 1963 live soul album by James Brown, celebrated for its electrifying performance and major influence on live recording in popular music.
-
C.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
Live at Blues Alley
Live at Blues Alley is a posthumously celebrated live album by American singer Eva Cassidy, renowned for its intimate jazz, blues, and folk interpretations that helped establish her international acclaim.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Jamming (live at the Rainbow Theatre) Triple: [Jamming, hasLiveVersion, Jamming (live at the Rainbow Theatre)]
Generated description
"Jamming (live at the Rainbow Theatre)" is a live performance recording of Bob Marley and the Wailers’ song "Jamming," captured during their concert at London’s Rainbow Theatre.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Jamming (live at the Rainbow Theatre) Target entity description: "Jamming (live at the Rainbow Theatre)" is a live performance recording of Bob Marley and the Wailers’ song "Jamming," captured during their concert at London’s Rainbow Theatre.
-
A.
Live at the Palace
Live at the Palace is a posthumously released live album by Blind Melon capturing one of the band’s energetic performances during their 1990s heyday.
-
B.
Live at the Apollo
Live at the Apollo is a landmark 1963 live soul album by James Brown, celebrated for its electrifying performance and major influence on live recording in popular music.
-
C.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
Live at Blues Alley
Live at Blues Alley is a posthumously celebrated live album by American singer Eva Cassidy, renowned for its intimate jazz, blues, and folk interpretations that helped establish her international acclaim.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69c688366ce8819083f8883983c0df92 |
completed | March 27, 2026, 1:37 p.m. |
| NER | Named-entity recognition | batch_69c6aeacbde08190a2e4e82cd12bc43f |
completed | March 27, 2026, 4:22 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69c6cbb00cc48190a49afdb82a267043 |
completed | March 27, 2026, 6:25 p.m. |
| NEDg | Description generation | batch_69c6cd417d288190868e9709deb4b28a |
completed | March 27, 2026, 6:32 p.m. |
| NED2 | Entity disambiguation (via description) | batch_69c6ce6be1f88190bc8b90bf90c6dc55 |
completed | March 27, 2026, 6:37 p.m. |
Created at: March 27, 2026, 1:54 p.m.