Triple
T6270550
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Tender Lover |
E140522
|
entity |
| Predicate | follows |
P134
|
FINISHED |
| Object |
Lovers (album)
Lovers is an R&B studio album by American singer-songwriter Babyface that helped establish his early solo career in the late 1980s.
|
E579786
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Lovers (album) | Statement: [Tender Lover, follows, Lovers (album)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Lovers (album) Context triple: [Tender Lover, follows, Lovers (album)]
-
A.
The Lover in Me
The Lover in Me is a 1988 pop and dance-oriented studio album by Scottish singer Sheena Easton that marked a successful shift toward a more contemporary, R&B-influenced sound.
-
B.
The Lovers Are Losing
"The Lovers Are Losing" is a song by the English alternative rock band Keane, known for its emotive lyrics and piano-driven melody.
-
C.
The Conscious Lovers
The Conscious Lovers is an early 18th-century sentimental comedy by Richard Steele that helped popularize the genre on the English stage.
-
D.
For Love’s Sake
For Love’s Sake is a song by American country artist Dwight Yoakam, featured on his 2000 album "Tomorrow’s Sounds Today."
-
E.
If We Can’t Be Lovers
"If We Can’t Be Lovers" is a soulful ballad by Prince Phillip Mitchell that has been frequently sampled and covered in R&B and hip-hop music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Lovers (album) Triple: [Tender Lover, follows, Lovers (album)]
Generated description
Lovers is an R&B studio album by American singer-songwriter Babyface that helped establish his early solo career in the late 1980s.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Lovers (album) Target entity description: Lovers is an R&B studio album by American singer-songwriter Babyface that helped establish his early solo career in the late 1980s.
-
A.
The Lover in Me
The Lover in Me is a 1988 pop and dance-oriented studio album by Scottish singer Sheena Easton that marked a successful shift toward a more contemporary, R&B-influenced sound.
-
B.
The Lovers Are Losing
"The Lovers Are Losing" is a song by the English alternative rock band Keane, known for its emotive lyrics and piano-driven melody.
-
C.
The Conscious Lovers
The Conscious Lovers is an early 18th-century sentimental comedy by Richard Steele that helped popularize the genre on the English stage.
-
D.
For Love’s Sake
For Love’s Sake is a song by American country artist Dwight Yoakam, featured on his 2000 album "Tomorrow’s Sounds Today."
-
E.
If We Can’t Be Lovers
"If We Can’t Be Lovers" is a soulful ballad by Prince Phillip Mitchell that has been frequently sampled and covered in R&B and hip-hop music.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69c008cabc4081909723e2547c9d6cc0 |
completed | March 22, 2026, 3:20 p.m. |
| NER | Named-entity recognition | batch_69c063bb340c8190ab81b249cefa91ca |
completed | March 22, 2026, 9:48 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69c24460f1bc8190b15ca58331410ec2 |
completed | March 24, 2026, 7:59 a.m. |
| NEDg | Description generation | batch_69c2a5a6157c8190a57a297cf606eecb |
completed | March 24, 2026, 2:54 p.m. |
| NED2 | Entity disambiguation (via description) | batch_69c2a60a92cc8190847e242482788ff3 |
completed | March 24, 2026, 2:56 p.m. |
Created at: March 22, 2026, 4:25 p.m.