Triple

T6080884
Position Surface form Disambiguated ID Type / Status
Subject Michael Giacchino E135518 entity
Predicate notableWork P4 FINISHED
Object Star Trek Into Darkness (film score) E548033 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Star Trek Into Darkness (film score) | Statement: [Michael Giacchino, notableWork, Star Trek Into Darkness (film score)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Star Trek Into Darkness (film score)
Context triple: [Michael Giacchino, notableWork, Star Trek Into Darkness (film score)]
  • A. Star Trek (2009 film score) chosen
    Star Trek (2009 film score) is Michael Giacchino’s orchestral soundtrack for J.J. Abrams’ reboot of the Star Trek film franchise, noted for its bold new main theme and energetic, modern reinterpretation of the series’ musical identity.
  • B. Star Trek: The Motion Picture (score)
    Star Trek: The Motion Picture (score) is Jerry Goldsmith’s expansive, symphonic film soundtrack renowned for its majestic main theme and pioneering use of electronic and orchestral textures in science fiction cinema.
  • C. Star Trek II: The Wrath of Khan (film score)
    Star Trek II: The Wrath of Khan (film score) is James Horner’s acclaimed orchestral soundtrack for the 1982 Star Trek film, noted for its sweeping themes, emotional depth, and pivotal role in revitalizing the franchise’s musical identity.
  • D. Star Trek: Nemesis (2002 film score)
    Star Trek: Nemesis (2002 film score) is a cinematic orchestral soundtrack that blends sweeping themes and darker, militaristic motifs to underscore the tenth Star Trek film’s tone of conflict and introspection.
  • E. Star Trek: First Contact (1996 film score)
    Star Trek: First Contact (1996 film score) is a cinematic orchestral soundtrack composed by Jerry Goldsmith that blends heroic themes with darker, suspenseful motifs to accompany the eighth Star Trek film’s time-travel and Borg-focused narrative.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69c0087ad31c8190ab936e0ff28614b6 completed March 22, 2026, 3:19 p.m.
NER Named-entity recognition batch_69c057735b6081908b82757505fa7d5d completed March 22, 2026, 8:56 p.m.
NED1 Entity disambiguation (via context triple) batch_69c1252a178c81909a3d689ad748fb5e completed March 23, 2026, 11:34 a.m.
Created at: March 22, 2026, 4:11 p.m.