Triple
T3118462
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | La Religieuse |
E65119
|
entity |
| Predicate | hasAdaptation |
P1690
|
FINISHED |
| Object | La Religieuse (1966 film) |
E65119
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: La Religieuse (1966 film) | Statement: [La Religieuse, hasAdaptation, La Religieuse (1966 film)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: La Religieuse (1966 film) Context triple: [La Religieuse, hasAdaptation, La Religieuse (1966 film)]
-
A.
La Religieuse
chosen
La Religieuse is an 18th-century French novel by Denis Diderot that critiques religious institutions through the story of a young woman forced into convent life.
-
B.
Belle de Jour
Belle de Jour is a 1967 French drama film directed by Luis Buñuel, renowned for its surreal exploration of a bourgeois housewife who secretly works as a high-class prostitute.
-
C.
The 400 Blows
The 400 Blows is François Truffaut’s landmark 1959 coming-of-age film that helped launch the French New Wave and is celebrated for its intimate, realistic portrayal of adolescent alienation.
-
D.
Bande à part
Bande à part is a 1964 French New Wave crime drama film by Jean-Luc Godard, celebrated for its playful style, iconic dance scene, and unconventional approach to genre.
-
E.
The Temptation of St. Anthony
The Temptation of St. Anthony is a surrealist painting by Salvador Dalí depicting the saint besieged by fantastical, elongated creatures symbolizing spiritual and earthly temptations.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ad857fcc088190b0c4d45a5cde6f61 |
completed | March 8, 2026, 2:19 p.m. |
| NER | Named-entity recognition | batch_69ada4e975f08190a91a01f37a31b766 |
completed | March 8, 2026, 4:33 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69b20f63f8f881909348d4c6eb3c7e20 |
completed | March 12, 2026, 12:57 a.m. |
Created at: March 8, 2026, 3:04 p.m.