Triple

T2997279
Position Surface form Disambiguated ID Type / Status
Subject Whitney: The Greatest Hits E81098 entity
Predicate hasPart P35 FINISHED
Object I’m Every Woman (remix) E63772 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: I’m Every Woman (remix) | Statement: [Whitney: The Greatest Hits, hasPart, I’m Every Woman (remix)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: I’m Every Woman (remix)
Context triple: [Whitney: The Greatest Hits, hasPart, I’m Every Woman (remix)]
  • A. I’m Every Woman chosen
    "I'm Every Woman" is a classic 1978 R&B/disco anthem by Chaka Khan celebrating female empowerment and versatility.
  • B. Ain't No Other Man
    "Ain't No Other Man" is a 2006 funk- and soul-influenced pop single by Christina Aguilera that served as the lead track from her album "Back to Basics" and earned her a Grammy Award for Best Female Pop Vocal Performance.
  • C. I Can’t Make It Alone
    "I Can’t Make It Alone" is a soul-pop song co-written by Gerry Goffin and Carole King, best known through its 1966 recording by singer PJ Proby.
  • D. Can’t Hold Us Down
    "Can’t Hold Us Down" is a feminist R&B/pop song by Christina Aguilera featuring Lil' Kim that challenges double standards and sexism in the music industry and society.
  • E. Moodswings (To Come at Me like That)
    "Moodswings (To Come at Me like That)" is a pop single by Welsh singer Charlotte Church that marked her transition from classical crossover to a more contemporary mainstream sound.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69ad8b187fc8819085914d3c9ea3142d completed March 8, 2026, 2:43 p.m.
NER Named-entity recognition batch_69ad99f612148190a5a565ba2ecc4fc0 completed March 8, 2026, 3:47 p.m.
NED1 Entity disambiguation (via context triple) batch_69b12e419e508190be23a2d413357058 completed March 11, 2026, 8:56 a.m.
Created at: March 8, 2026, 2:59 p.m.