Triple
T23548750
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Leslie Thompson Baxter |
E577977
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Sacred Idol |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Sacred Idol | Statement: [Leslie Thompson Baxter, notableWork, The Sacred Idol]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Sacred Idol Context triple: [Leslie Thompson Baxter, notableWork, The Sacred Idol]
-
A.
The Eternal Idol
The Eternal Idol is a 1987 heavy metal album by Black Sabbath that marked their first studio release with vocalist Tony Martin and a shift toward a more melodic yet still dark sound.
-
B.
The False Gods
"The False Gods" is a lesser-known work by American editor and author George Horace Lorimer, best remembered for his influential tenure at The Saturday Evening Post.
-
C.
Face of Baal
Face of Baal is an epithet of the Punic goddess Tanit, highlighting her role as the visible manifestation or representative aspect of the god Baal in Carthaginian religion.
-
D.
The Sacred
The Sacred is a horror film known for its supernatural themes and eerie atmosphere.
-
E.
The Amazement of the Gods
The Amazement of the Gods is a mythological painting by the late Renaissance and Mannerist artist Hans von Aachen, exemplifying his refined courtly style and intricate allegorical compositions.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Sacred Idol Target entity description: The Sacred Idol is an exotica music album by composer and arranger Les Baxter, known for its lush orchestration and evocative, pseudo–Latin American themes.
-
A.
The Eternal Idol
The Eternal Idol is a 1987 heavy metal album by Black Sabbath that marked their first studio release with vocalist Tony Martin and a shift toward a more melodic yet still dark sound.
-
B.
The False Gods
"The False Gods" is a lesser-known work by American editor and author George Horace Lorimer, best remembered for his influential tenure at The Saturday Evening Post.
-
C.
Face of Baal
Face of Baal is an epithet of the Punic goddess Tanit, highlighting her role as the visible manifestation or representative aspect of the god Baal in Carthaginian religion.
-
D.
The Sacred
The Sacred is a horror film known for its supernatural themes and eerie atmosphere.
-
E.
The Amazement of the Gods
The Amazement of the Gods is a mythological painting by the late Renaissance and Mannerist artist Hans von Aachen, exemplifying his refined courtly style and intricate allegorical compositions.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e245fa93448190919cb04534560542 |
completed | April 17, 2026, 2:38 p.m. |
| NER | Named-entity recognition | batch_69f1aecd60a881908c257d9ba67080c8 |
completed | April 29, 2026, 7:10 a.m. |
Created at: April 17, 2026, 6:11 p.m.