Triple
T23420581
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | William Byrd |
E560638
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Cantiones Sacrae (1591) |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Cantiones Sacrae (1591) | Statement: [William Byrd, notableWork, Cantiones Sacrae (1591)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Cantiones Sacrae (1591) Context triple: [William Byrd, notableWork, Cantiones Sacrae (1591)]
-
A.
Cantiones Sacrae (1575)
chosen
Cantiones Sacrae (1575) is a landmark collection of Latin motets by William Byrd (with contributions by Thomas Tallis), notable as one of the earliest major publications of English Renaissance sacred music.
-
B.
First Set of Madrigals and Mottets of 5 Parts
First Set of Madrigals and Mottets of 5 Parts is a 1612 collection of five-part vocal pieces by English Renaissance composer Orlando Gibbons, showcasing his mastery of both secular madrigals and sacred motets.
-
C.
Symphoniae sacrae I
Symphoniae sacrae I is a collection of early 17th-century sacred concertos by German composer Heinrich Schütz that helped shape the development of Protestant church music.
-
D.
Symphoniae sacrae
Symphoniae sacrae is a collection of sacred vocal compositions by German Baroque composer Heinrich Schütz that showcases his innovative blending of Italian concertato style with German liturgical music.
-
E.
Collegium Regale (Magnificat and Nunc dimittis in D)
Collegium Regale (Magnificat and Nunc dimittis in D) is a celebrated choral setting of the Anglican evening canticles composed by Herbert Howells for the choir of King’s College, Cambridge.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e2454cb1108190ab21ada5411a7146 |
completed | April 17, 2026, 2:35 p.m. |
| NER | Named-entity recognition | batch_69f1a54605dc81909aad9834ef6ff8a1 |
completed | April 29, 2026, 6:29 a.m. |
Created at: April 17, 2026, 5:45 p.m.