Triple
T23163384
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Pigpen |
E578646
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Hard to Handle (live performances) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Hard to Handle (live performances) | Statement: [Pigpen, notableWork, Hard to Handle (live performances)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Hard to Handle (live performances) Context triple: [Pigpen, notableWork, Hard to Handle (live performances)]
-
A.
That’s It for the Other One (live performances)
“That’s It for the Other One (live performances)” refers to concert renditions of the Grateful Dead’s multi-part psychedelic suite, often featuring extended improvisation and evolving arrangements across the band’s live history.
-
B.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
C.
The Difficult Kind (live)
"The Difficult Kind (live)" is a live performance recording of Sheryl Crow’s emotionally intense rock ballad, featured on her compilation album *The Very Best of Sheryl Crow*.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
The Way It Is (live performances)
The Way It Is (live performances) refers to live renditions of Bruce Hornsby and the Range’s song “The Way It Is,” often featuring extended piano improvisations and variations from the studio recording.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Hard to Handle (live performances) Target entity description: "Hard to Handle" (live performances) refers to Ron "Pigpen" McKernan’s signature, soul-infused concert rendition of the Otis Redding song with the Grateful Dead, renowned for his charismatic vocals and extended improvisations.
-
A.
That’s It for the Other One (live performances)
“That’s It for the Other One (live performances)” refers to concert renditions of the Grateful Dead’s multi-part psychedelic suite, often featuring extended improvisation and evolving arrangements across the band’s live history.
-
B.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
C.
The Difficult Kind (live)
"The Difficult Kind (live)" is a live performance recording of Sheryl Crow’s emotionally intense rock ballad, featured on her compilation album *The Very Best of Sheryl Crow*.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
The Way It Is (live performances)
The Way It Is (live performances) refers to live renditions of Bruce Hornsby and the Range’s song “The Way It Is,” often featuring extended piano improvisations and variations from the studio recording.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e245fc75348190a0288401044c8af8 |
completed | April 17, 2026, 2:38 p.m. |
| NER | Named-entity recognition | batch_69f18f29be30819091e18551044a98f3 |
completed | April 29, 2026, 4:55 a.m. |
Created at: April 17, 2026, 4:02 p.m.