Triple
T22819788
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Heaven and Hell |
E565194
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Movement 3 (Heaven and Hell Part I) |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Movement 3 (Heaven and Hell Part I) | Statement: [Heaven and Hell, notableWork, Movement 3 (Heaven and Hell Part I)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Movement 3 (Heaven and Hell Part I) Context triple: [Heaven and Hell, notableWork, Movement 3 (Heaven and Hell Part I)]
-
A.
Heaven and Hell Part I
chosen
Heaven and Hell Part I is the opening, large-scale symphonic electronic movement from Vangelis’s 1975 album "Heaven and Hell," noted for its dramatic contrasts and choral elements.
-
B.
Will To Power (3rd Movement)
Will To Power (3rd Movement) is the third movement of the orchestral Redford Suite, likely characterized by a dynamic, dramatic exploration of its central musical themes.
-
C.
Movement III
Movement III is the serene and contemplative final section of Leonard Bernstein’s *Chichester Psalms*, featuring lyrical settings of Hebrew psalm texts that emphasize peace and spiritual resolution.
-
D.
Heaven and Hell Part II
Heaven and Hell Part II is the second movement of Vangelis’s 1975 electronic symphonic album "Heaven and Hell," known for its dramatic, synthesizer-driven orchestral soundscapes.
-
E.
Canto the Third
Canto the Third is the final section of Lord Byron’s narrative poem "The Corsair," continuing the romantic and tragic adventures of its pirate hero.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e2458426188190b58b8ab4844fe420 |
completed | April 17, 2026, 2:36 p.m. |
| NER | Named-entity recognition | batch_69f17dcf39a88190bec26affc304236d |
completed | April 29, 2026, 3:41 a.m. |
Created at: April 17, 2026, 3:33 p.m.