Triple

T22718465
Position Surface form Disambiguated ID Type / Status
Subject Arsamene E561795 entity
Predicate librettoBy P59320 FINISHED
Object Silvio Stampiglia (adapted for Handel) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Silvio Stampiglia (adapted for Handel) | Statement: [Arsamene, librettoBy, Silvio Stampiglia (adapted for Handel)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Silvio Stampiglia (adapted for Handel)
Context triple: [Arsamene, librettoBy, Silvio Stampiglia (adapted for Handel)]
  • A. Antonio Sacchini's opera Armida
    Antonio Sacchini's opera *Armida* is an 18th-century Italian opera that dramatizes the sorceress Armida’s love and conflict with the crusader Rinaldo, based on Torquato Tasso’s epic poem *Gerusalemme liberata*.
  • B. Saul (Handel)
    Saul (Handel) is an English-language oratorio by George Frideric Handel that dramatizes the biblical story of King Saul and David, notable for its rich orchestration and powerful choral writing.
  • C. A Toccata of Galuppi’s
    "A Toccata of Galuppi’s" is a reflective poem by Robert Browning that meditates on mortality and the transience of pleasure through the imagined music of the Venetian composer Baldassare Galuppi.
  • D. Joseph Haydn's oratorio Armida
    Joseph Haydn's oratorio *Armida* is a late 18th-century dramatic work for voices and orchestra that retells the love and conflict between the sorceress Armida and the crusader Rinaldo from Torquato Tasso’s epic poem.
  • E. George Frideric Handel's opera Rinaldo
    George Frideric Handel's opera *Rinaldo* is a Baroque opera first performed in 1711, renowned for its virtuosic arias and dramatic spectacle, and based on Torquato Tasso’s epic poem *Gerusalemme liberata*.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Silvio Stampiglia (adapted for Handel)
Target entity description: Silvio Stampiglia (adapted for Handel) is the version of the Italian librettist Silvio Stampiglia’s text that was revised and tailored specifically for use in a George Frideric Handel opera.
  • A. Antonio Sacchini's opera Armida
    Antonio Sacchini's opera *Armida* is an 18th-century Italian opera that dramatizes the sorceress Armida’s love and conflict with the crusader Rinaldo, based on Torquato Tasso’s epic poem *Gerusalemme liberata*.
  • B. Saul (Handel)
    Saul (Handel) is an English-language oratorio by George Frideric Handel that dramatizes the biblical story of King Saul and David, notable for its rich orchestration and powerful choral writing.
  • C. A Toccata of Galuppi’s
    "A Toccata of Galuppi’s" is a reflective poem by Robert Browning that meditates on mortality and the transience of pleasure through the imagined music of the Venetian composer Baldassare Galuppi.
  • D. Joseph Haydn's oratorio Armida
    Joseph Haydn's oratorio *Armida* is a late 18th-century dramatic work for voices and orchestra that retells the love and conflict between the sorceress Armida and the crusader Rinaldo from Torquato Tasso’s epic poem.
  • E. George Frideric Handel's opera Rinaldo
    George Frideric Handel's opera *Rinaldo* is a Baroque opera first performed in 1711, renowned for its virtuosic arias and dramatic spectacle, and based on Torquato Tasso’s epic poem *Gerusalemme liberata*.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e2454fc984819088213b58ee87a002 completed April 17, 2026, 2:35 p.m.
NER Named-entity recognition batch_69f1790fbf9c819082ba7b48801a7b39 completed April 29, 2026, 3:20 a.m.
Created at: April 17, 2026, 3:19 p.m.