Triple

T22658541
Position Surface form Disambiguated ID Type / Status
Subject Orlando Gibbons E559296 entity
Predicate notableWork P4 FINISHED
Object Magnificat and Nunc dimittis in A minor — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Magnificat and Nunc dimittis in A minor | Statement: [Orlando Gibbons, notableWork, Magnificat and Nunc dimittis in A minor]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Magnificat and Nunc dimittis in A minor
Context triple: [Orlando Gibbons, notableWork, Magnificat and Nunc dimittis in A minor]
  • A. Magnificat in D
    Magnificat in D is a choral setting of the biblical canticle "Magnificat," composed in the key of D and widely performed in Anglican liturgical and concert contexts.
  • B. Magnificat and Nunc dimittis in G
    Magnificat and Nunc dimittis in G is a celebrated setting of the Anglican canticles for choir and organ by the English Renaissance composer Orlando Gibbons, frequently performed in cathedral and collegiate evensong services.
  • C. Magnificat in D major
    Magnificat in D major is a large-scale sacred choral work by Carl Philipp Emanuel Bach that showcases his expressive, early Classical style in a setting of the biblical canticle.
  • D. Magnificat and Nunc dimittis in F
    Magnificat and Nunc dimittis in F is a celebrated Anglican canticle setting by Renaissance composer Orlando Gibbons, frequently performed in English cathedral and church liturgies.
  • E. Nunc Dimittis (choral work)
    Nunc Dimittis is a widely acclaimed choral setting of the biblical canticle by English composer Geoffrey Burgon, noted for its lyrical intensity and frequent use in liturgical and concert contexts.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: Magnificat and Nunc dimittis in A minor
Target entity description: Magnificat and Nunc dimittis in A minor is a celebrated setting of the evening canticles for the Anglican service of Evensong by the English Renaissance composer Orlando Gibbons.
  • A. Magnificat in D
    Magnificat in D is a choral setting of the biblical canticle "Magnificat," composed in the key of D and widely performed in Anglican liturgical and concert contexts.
  • B. Magnificat and Nunc dimittis in G
    Magnificat and Nunc dimittis in G is a celebrated setting of the Anglican canticles for choir and organ by the English Renaissance composer Orlando Gibbons, frequently performed in cathedral and collegiate evensong services.
  • C. Magnificat in D major
    Magnificat in D major is a large-scale sacred choral work by Carl Philipp Emanuel Bach that showcases his expressive, early Classical style in a setting of the biblical canticle.
  • D. Magnificat and Nunc dimittis in F
    Magnificat and Nunc dimittis in F is a celebrated Anglican canticle setting by Renaissance composer Orlando Gibbons, frequently performed in English cathedral and church liturgies.
  • E. Nunc Dimittis (choral work)
    Nunc Dimittis is a widely acclaimed choral setting of the biblical canticle by English composer Geoffrey Burgon, noted for its lyrical intensity and frequent use in liturgical and concert contexts.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e245489dd88190b1f674acf61c8769 completed April 17, 2026, 2:35 p.m.
NER Named-entity recognition batch_69f1765d10588190b4574f3e64617cd4 completed April 29, 2026, 3:09 a.m.
Created at: April 17, 2026, 3:07 p.m.