Triple
T22639619
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Kevin Riepl |
E558784
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Aggression Scale (film score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Aggression Scale (film score) | Statement: [Kevin Riepl, notableWork, The Aggression Scale (film score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Aggression Scale (film score) Context triple: [Kevin Riepl, notableWork, The Aggression Scale (film score)]
-
A.
The Enforcer (film score)
The Enforcer (film score) is a film soundtrack composed by Adolph Deutsch, known for its tense, noir-influenced orchestral music that underscores the 1951 crime drama "The Enforcer."
-
B.
Serpico (film score)
Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
-
C.
The Getting of Wisdom (film) score
The Getting of Wisdom (film) score is a musical soundtrack composed by Australian composer George Dreyfus for the 1977 coming-of-age film adaptation of Henry Handel Richardson’s novel.
-
D.
The Scarlet and the Black (TV film score)
The Scarlet and the Black (TV film score) is a dramatic orchestral soundtrack composed by Lee Holdridge for the 1983 television film about a Vatican priest’s efforts to save Allied soldiers in Nazi-occupied Rome.
-
E.
The Trespassers (film) score
The Trespassers (film) score is a musical soundtrack composed by Australian composer George Dreyfus for the feature film "The Trespassers."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Aggression Scale (film score) Target entity description: The Aggression Scale (film score) is a tense, atmospheric soundtrack by composer Kevin Riepl for the 2012 action-horror film "The Aggression Scale," blending dark electronic textures with aggressive orchestral elements.
-
A.
The Enforcer (film score)
The Enforcer (film score) is a film soundtrack composed by Adolph Deutsch, known for its tense, noir-influenced orchestral music that underscores the 1951 crime drama "The Enforcer."
-
B.
Serpico (film score)
Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
-
C.
The Getting of Wisdom (film) score
The Getting of Wisdom (film) score is a musical soundtrack composed by Australian composer George Dreyfus for the 1977 coming-of-age film adaptation of Henry Handel Richardson’s novel.
-
D.
The Scarlet and the Black (TV film score)
The Scarlet and the Black (TV film score) is a dramatic orchestral soundtrack composed by Lee Holdridge for the 1983 television film about a Vatican priest’s efforts to save Allied soldiers in Nazi-occupied Rome.
-
E.
The Trespassers (film) score
The Trespassers (film) score is a musical soundtrack composed by Australian composer George Dreyfus for the feature film "The Trespassers."
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e24547f7fc819086e2c4ba3b979657 |
completed | April 17, 2026, 2:35 p.m. |
| NER | Named-entity recognition | batch_69f17010aa4c8190a9f0cf7eb4c066cd |
completed | April 29, 2026, 2:42 a.m. |
Created at: April 17, 2026, 3:04 p.m.