Triple
T22544724
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Herschel Evans |
E557387
|
entity |
| Predicate | notableRecording |
P1152
|
FINISHED |
| Object | "One O'Clock Jump" (with Count Basie Orchestra) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: "One O'Clock Jump" (with Count Basie Orchestra) | Statement: [Herschel Evans, notableRecording, "One O'Clock Jump" (with Count Basie Orchestra)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: "One O'Clock Jump" (with Count Basie Orchestra) Context triple: [Herschel Evans, notableRecording, "One O'Clock Jump" (with Count Basie Orchestra)]
-
A.
"On the Sunny Side of the Street" with Louis Armstrong
"On the Sunny Side of the Street" with Louis Armstrong is a celebrated jazz recording of the popular standard, featuring Armstrong’s distinctive trumpet and vocals alongside trombonist Trummy Young.
-
B.
“That’s My Desire” (with Louis Armstrong)
“That’s My Desire” (with Louis Armstrong) is a jazz vocal duet recording featuring Louis Armstrong and singer Velma Middleton, known for its playful, crowd-pleasing call-and-response style.
-
C.
Count Basie and His Barons of Rhythm
Count Basie and His Barons of Rhythm was an influential early swing-era jazz band led by pianist Count Basie, known for its innovative rhythm section and launching the careers of several major jazz soloists.
-
D.
The Atomic Mr. Basie
The Atomic Mr. Basie is a landmark 1957 big band jazz album by Count Basie, celebrated for its dynamic swing arrangements by Neal Hefti and its influential role in modernizing the Basie sound.
-
E.
Johnny Dodds' Black Bottom Stompers
Johnny Dodds' Black Bottom Stompers was a jazz ensemble active in the 1920s that showcased clarinetist Johnny Dodds’ New Orleans–style jazz on influential early recordings.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: "One O'Clock Jump" (with Count Basie Orchestra) Target entity description: "One O'Clock Jump" (with Count Basie Orchestra) is a classic swing-era jazz instrumental, famously associated with Count Basie’s band and showcasing the driving riff-based style that became one of their signature hits.
-
A.
"On the Sunny Side of the Street" with Louis Armstrong
"On the Sunny Side of the Street" with Louis Armstrong is a celebrated jazz recording of the popular standard, featuring Armstrong’s distinctive trumpet and vocals alongside trombonist Trummy Young.
-
B.
“That’s My Desire” (with Louis Armstrong)
“That’s My Desire” (with Louis Armstrong) is a jazz vocal duet recording featuring Louis Armstrong and singer Velma Middleton, known for its playful, crowd-pleasing call-and-response style.
-
C.
Count Basie and His Barons of Rhythm
Count Basie and His Barons of Rhythm was an influential early swing-era jazz band led by pianist Count Basie, known for its innovative rhythm section and launching the careers of several major jazz soloists.
-
D.
The Atomic Mr. Basie
The Atomic Mr. Basie is a landmark 1957 big band jazz album by Count Basie, celebrated for its dynamic swing arrangements by Neal Hefti and its influential role in modernizing the Basie sound.
-
E.
Johnny Dodds' Black Bottom Stompers
Johnny Dodds' Black Bottom Stompers was a jazz ensemble active in the 1920s that showcased clarinetist Johnny Dodds’ New Orleans–style jazz on influential early recordings.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e11e58662081909ae346ab384514ca |
completed | April 16, 2026, 5:37 p.m. |
| NER | Named-entity recognition | batch_69f15f34a0688190ad55be067db8e21b |
completed | April 29, 2026, 1:30 a.m. |
Created at: April 16, 2026, 8:51 p.m.