Triple

T22488953
Position Surface form Disambiguated ID Type / Status
Subject Martha Rosler E555964 entity
Predicate notableFor P22 FINISHED
Object video work "Semiotics of the Kitchen" — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: video work "Semiotics of the Kitchen" | Statement: [Martha Rosler, notableFor, video work "Semiotics of the Kitchen"]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: video work "Semiotics of the Kitchen"
Context triple: [Martha Rosler, notableFor, video work "Semiotics of the Kitchen"]
  • A. The Case for Video Art
    "The Case for Video Art" is an educational video essay from the PBS Digital Studios series *The Art Assignment* that explores the history, significance, and key concepts of video art as a contemporary artistic medium.
  • B. Semiotics of Cinema
    Semiotics of Cinema is a foundational work of film theory that applies semiotic analysis to understand how cinematic language creates meaning.
  • C. Elements of Semiology
    Elements of Semiology is a foundational 1964 work by Roland Barthes that systematically outlines the principles of semiotics and the study of signs in language and culture.
  • D. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media
    The Visual Story: Creating the Visual Structure of Film, TV and Digital Media is a widely used textbook that explains how visual design principles shape storytelling in film, television, and digital media.
  • E. The World Viewed: Reflections on the Ontology of Film
    The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: video work "Semiotics of the Kitchen"
Target entity description: "Semiotics of the Kitchen" is a landmark 1975 feminist video artwork by Martha Rosler that satirically critiques domestic gender roles through a deadpan, alphabetized performance with kitchen utensils.
  • A. The Case for Video Art
    "The Case for Video Art" is an educational video essay from the PBS Digital Studios series *The Art Assignment* that explores the history, significance, and key concepts of video art as a contemporary artistic medium.
  • B. Semiotics of Cinema
    Semiotics of Cinema is a foundational work of film theory that applies semiotic analysis to understand how cinematic language creates meaning.
  • C. Elements of Semiology
    Elements of Semiology is a foundational 1964 work by Roland Barthes that systematically outlines the principles of semiotics and the study of signs in language and culture.
  • D. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media
    The Visual Story: Creating the Visual Structure of Film, TV and Digital Media is a widely used textbook that explains how visual design principles shape storytelling in film, television, and digital media.
  • E. The World Viewed: Reflections on the Ontology of Film
    The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e11e53897c819088863779f8c50bb0 completed April 16, 2026, 5:37 p.m.
NER Named-entity recognition batch_69f15c3f3b4c819092bfe6495c61db46 completed April 29, 2026, 1:17 a.m.
Created at: April 16, 2026, 8:49 p.m.