Triple
T22392306
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Powerslave |
E553538
|
entity |
| Predicate | tourSupportedBy |
P48796
|
FINISHED |
| Object | World Slavery Tour |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: World Slavery Tour | Statement: [Powerslave, tourSupportedBy, World Slavery Tour]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: World Slavery Tour Context triple: [Powerslave, tourSupportedBy, World Slavery Tour]
-
A.
The Anti-Slavery Record
The Anti-Slavery Record was a 19th-century American abolitionist periodical that documented the realities of slavery and promoted the cause of immediate emancipation.
-
B.
Anti-Slavery Office
The Anti-Slavery Office was an abolitionist organization’s headquarters and publishing center that produced influential antislavery literature and supported the broader campaign against slavery in the United States.
-
C.
A Ride for Liberty – The Fugitive Slaves
A Ride for Liberty – The Fugitive Slaves is a mid-19th-century painting by American artist Eastman Johnson that dramatically depicts an enslaved family fleeing to Union lines during the Civil War.
-
D.
Museo Nacional de la Ruta del Esclavo
The Museo Nacional de la Ruta del Esclavo is a Cuban museum dedicated to documenting and interpreting the history, culture, and legacy of the transatlantic slave trade and African diaspora in Cuba.
-
E.
Journey to Freedom
Journey to Freedom is a contemporary gospel and R&B album by American singer Michelle Williams that blends inspirational themes with pop production and collaborations with artists like Beyoncé and Kelly Rowland.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: World Slavery Tour Target entity description: World Slavery Tour was Iron Maiden’s massive 1984–1985 concert tour, renowned for its elaborate Egyptian-themed stage production and support of their album "Powerslave."
-
A.
The Anti-Slavery Record
The Anti-Slavery Record was a 19th-century American abolitionist periodical that documented the realities of slavery and promoted the cause of immediate emancipation.
-
B.
Anti-Slavery Office
The Anti-Slavery Office was an abolitionist organization’s headquarters and publishing center that produced influential antislavery literature and supported the broader campaign against slavery in the United States.
-
C.
A Ride for Liberty – The Fugitive Slaves
A Ride for Liberty – The Fugitive Slaves is a mid-19th-century painting by American artist Eastman Johnson that dramatically depicts an enslaved family fleeing to Union lines during the Civil War.
-
D.
Museo Nacional de la Ruta del Esclavo
The Museo Nacional de la Ruta del Esclavo is a Cuban museum dedicated to documenting and interpreting the history, culture, and legacy of the transatlantic slave trade and African diaspora in Cuba.
-
E.
Journey to Freedom
Journey to Freedom is a contemporary gospel and R&B album by American singer Michelle Williams that blends inspirational themes with pop production and collaborations with artists like Beyoncé and Kelly Rowland.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e11e4cf87c8190a1ff474daec326b7 |
completed | April 16, 2026, 5:37 p.m. |
| NER | Named-entity recognition | batch_69f1585c16188190872e75caeb86c328 |
completed | April 29, 2026, 1:01 a.m. |
Created at: April 16, 2026, 8:45 p.m.