Triple
T22099966
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Johnny Dankworth |
E546142
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Saturday Night and Sunday Morning (film score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Saturday Night and Sunday Morning (film score) | Statement: [Johnny Dankworth, notableWork, Saturday Night and Sunday Morning (film score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Saturday Night and Sunday Morning (film score) Context triple: [Johnny Dankworth, notableWork, Saturday Night and Sunday Morning (film score)]
-
A.
A Clockwork Orange (film score)
A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
-
B.
It Always Rains on Sunday (film score)
"It Always Rains on Sunday" is the musical score composed by Georges Auric for the 1947 British film noir drama of the same name.
-
C.
The Lavender Hill Mob (film score)
The Lavender Hill Mob (film score) is a light, witty orchestral soundtrack by French composer Georges Auric for the 1951 Ealing Studios crime-comedy film "The Lavender Hill Mob."
-
D.
Days of Heaven (score)
Days of Heaven (score) is Ennio Morricone’s acclaimed, lyrical film soundtrack known for its haunting melodies and evocative atmosphere in Terrence Malick’s 1978 drama.
-
E.
Days of Being Wild (film score)
Days of Being Wild (film score) is the atmospheric, melancholic musical soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s 1990 romantic drama film "Days of Being Wild."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Saturday Night and Sunday Morning (film score) Target entity description: "Saturday Night and Sunday Morning" is a jazz-inflected film score composed by British musician Johnny Dankworth for the 1960 British New Wave drama of the same name.
-
A.
A Clockwork Orange (film score)
A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
-
B.
It Always Rains on Sunday (film score)
"It Always Rains on Sunday" is the musical score composed by Georges Auric for the 1947 British film noir drama of the same name.
-
C.
The Lavender Hill Mob (film score)
The Lavender Hill Mob (film score) is a light, witty orchestral soundtrack by French composer Georges Auric for the 1951 Ealing Studios crime-comedy film "The Lavender Hill Mob."
-
D.
Days of Heaven (score)
Days of Heaven (score) is Ennio Morricone’s acclaimed, lyrical film soundtrack known for its haunting melodies and evocative atmosphere in Terrence Malick’s 1978 drama.
-
E.
Days of Being Wild (film score)
Days of Being Wild (film score) is the atmospheric, melancholic musical soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s 1990 romantic drama film "Days of Being Wild."
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e11e378dc08190896d6a51597afd5a |
completed | April 16, 2026, 5:36 p.m. |
| NER | Named-entity recognition | batch_69f1291440048190992c48893ced0b34 |
completed | April 28, 2026, 9:39 p.m. |
Created at: April 16, 2026, 8:30 p.m.