Triple

T22024238
Position Surface form Disambiguated ID Type / Status
Subject Op Art movement E543917 entity
Predicate hasNotableWork P4 FINISHED
Object “Current” by Bridget Riley NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: “Current” by Bridget Riley | Statement: [Op Art movement, hasNotableWork, “Current” by Bridget Riley]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: “Current” by Bridget Riley
Context triple: [Op Art movement, hasNotableWork, “Current” by Bridget Riley]
  • A. Barnett Newman’s “zip” paintings
    Barnett Newman’s “zip” paintings are a series of large-scale abstract canvases characterized by expansive fields of color interrupted by a single vertical stripe that emphasizes spatial tension and viewer experience.
  • B. Wall of Light for Josef Albers
    Wall of Light for Josef Albers is a large-scale, light-based installation by artist Olafur Eliasson that pays homage to Josef Albers’s explorations of color, perception, and geometric abstraction.
  • C. Robert Rauschenberg’s White Paintings
    Robert Rauschenberg’s White Paintings are a series of monochromatic canvases whose blank, reflective surfaces foreground ambient light and shadow, pioneering a conceptual, minimalist approach that profoundly influenced avant-garde art and music.
  • D. “The Bridge at Courbevoie” by Georges Seurat
    “The Bridge at Courbevoie” by Georges Seurat is a post-Impressionist painting that uses his pioneering pointillist technique to depict a tranquil riverside scene near Paris.
  • E. Op Art
    Op Art is an abstract art movement that emerged in the 1960s, characterized by the use of geometric forms and optical illusions to create a sense of movement, vibration, or warping in the viewer’s perception.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: “Current” by Bridget Riley
Target entity description: “Current” by Bridget Riley is a seminal black-and-white striped painting whose dynamic optical effects helped define the visual language of the Op Art movement in the 1960s.
  • A. Barnett Newman’s “zip” paintings
    Barnett Newman’s “zip” paintings are a series of large-scale abstract canvases characterized by expansive fields of color interrupted by a single vertical stripe that emphasizes spatial tension and viewer experience.
  • B. Wall of Light for Josef Albers
    Wall of Light for Josef Albers is a large-scale, light-based installation by artist Olafur Eliasson that pays homage to Josef Albers’s explorations of color, perception, and geometric abstraction.
  • C. Robert Rauschenberg’s White Paintings
    Robert Rauschenberg’s White Paintings are a series of monochromatic canvases whose blank, reflective surfaces foreground ambient light and shadow, pioneering a conceptual, minimalist approach that profoundly influenced avant-garde art and music.
  • D. “The Bridge at Courbevoie” by Georges Seurat
    “The Bridge at Courbevoie” by Georges Seurat is a post-Impressionist painting that uses his pioneering pointillist technique to depict a tranquil riverside scene near Paris.
  • E. Op Art chosen
    Op Art is an abstract art movement that emerged in the 1960s, characterized by the use of geometric forms and optical illusions to create a sense of movement, vibration, or warping in the viewer’s perception.
  • F. None of above.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e11e2e8ea4819084210fe06d3a1b8d completed April 16, 2026, 5:36 p.m.
NER Named-entity recognition batch_69f127ca45a08190b2d5d3a8eb37cb4b completed April 28, 2026, 9:34 p.m.
Created at: April 16, 2026, 8:23 p.m.