Triple
T21662203
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Michael Tippett |
E534620
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Fantasia Concertante on a Theme of Corelli |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Fantasia Concertante on a Theme of Corelli | Statement: [Michael Tippett, notableWork, Fantasia Concertante on a Theme of Corelli]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Fantasia Concertante on a Theme of Corelli Context triple: [Michael Tippett, notableWork, Fantasia Concertante on a Theme of Corelli]
-
A.
Concerto quasi una fantasia
Concerto quasi una fantasia is a 20th-century concert work by composer Arthur Benjamin that blends the structural freedom of a fantasia with the virtuosic and orchestral forces of a concerto.
-
B.
Concerto for Orchestra
Concerto for Orchestra is a landmark 1954 orchestral work by Polish composer Witold Lutosławski that showcases the virtuosity of the entire orchestra through vivid folk-inspired themes and modernist techniques.
-
C.
Concerto for Orchestra
Concerto for Orchestra is a large-scale, rhythmically complex orchestral work by American composer Elliott Carter that showcases the virtuosity of the entire ensemble.
-
D.
Concerto for Orchestra
Concerto for Orchestra is a contemporary orchestral showpiece by American composer Jennifer Higdon that highlights the virtuosity of each section of the ensemble.
-
E.
Concerto for Orchestra
Concerto for Orchestra is a landmark 20th-century orchestral work by Béla Bartók that showcases the virtuosity of the entire orchestra through its symphonic scale and vivid, folk-influenced musical language.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Fantasia Concertante on a Theme of Corelli Target entity description: Fantasia Concertante on a Theme of Corelli is a 1953 orchestral work for string orchestra by British composer Michael Tippett that reimagines a theme by Baroque composer Arcangelo Corelli in a richly contrapuntal, modern idiom.
-
A.
Concerto quasi una fantasia
Concerto quasi una fantasia is a 20th-century concert work by composer Arthur Benjamin that blends the structural freedom of a fantasia with the virtuosic and orchestral forces of a concerto.
-
B.
Concerto for Orchestra
Concerto for Orchestra is a landmark 1954 orchestral work by Polish composer Witold Lutosławski that showcases the virtuosity of the entire orchestra through vivid folk-inspired themes and modernist techniques.
-
C.
Concerto for Orchestra
Concerto for Orchestra is a large-scale, rhythmically complex orchestral work by American composer Elliott Carter that showcases the virtuosity of the entire ensemble.
-
D.
Concerto for Orchestra
Concerto for Orchestra is a landmark 20th-century orchestral work by Béla Bartók that showcases the virtuosity of the entire orchestra through its symphonic scale and vivid, folk-influenced musical language.
-
E.
Concerto for Orchestra
Concerto for Orchestra is a contemporary orchestral showpiece by American composer Jennifer Higdon that highlights the virtuosity of each section of the ensemble.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c467e1f48190af2650b19175abc4 |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69ef6c0883d481908dfdc66832c34d74 |
completed | April 27, 2026, 2 p.m. |
Created at: April 16, 2026, 6:36 p.m.