Triple

T21527927
Position Surface form Disambiguated ID Type / Status
Subject Missa Super La dolce vista E531145 entity
Predicate usesCantusFirmusFrom P120333 FINISHED
Object La dolce vista NE NERFINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: La dolce vista | Statement: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: La dolce vista
Context triple: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
  • A. Il dolce suono
    "Il dolce suono" is the celebrated mad scene aria from Gaetano Donizetti's opera "Lucia di Lammermoor," sung by the character Lucia Ashton and renowned for its virtuosic bel canto writing.
  • B. Dulce Domum
    "Dulce Domum" is a nostalgic and emotionally rich chapter in Kenneth Grahame's classic children's novel *The Wind in the Willows*, focusing on Mole's return to his long-neglected home.
  • C. Sì dolce non sonò
    "Sì dolce non sonò" is a celebrated Italian Trecento song by composer Francesco Landini, exemplifying his lyrical and melodically rich style of medieval secular music.
  • D. Cronaca di un amore
    Cronaca di un amore is a 1950 Italian film noir–style drama directed by Michelangelo Antonioni, often regarded as his feature debut and an early exploration of alienation and bourgeois malaise.
  • E. Il Ghirlandaio
    Il Ghirlandaio is the Italian Renaissance painter Domenico Ghirlandaio, renowned for his detailed fresco cycles in Florence and for having Michelangelo as an apprentice.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: La dolce vista
Target entity description: La dolce vista is a secular Italian song that served as the melodic basis (cantus firmus) for the Renaissance mass setting Missa super La dolce vista.
  • A. Il dolce suono
    "Il dolce suono" is the celebrated mad scene aria from Gaetano Donizetti's opera "Lucia di Lammermoor," sung by the character Lucia Ashton and renowned for its virtuosic bel canto writing.
  • B. Dulce Domum
    "Dulce Domum" is a nostalgic and emotionally rich chapter in Kenneth Grahame's classic children's novel *The Wind in the Willows*, focusing on Mole's return to his long-neglected home.
  • C. Sì dolce non sonò
    "Sì dolce non sonò" is a celebrated Italian Trecento song by composer Francesco Landini, exemplifying his lyrical and melodically rich style of medieval secular music.
  • D. Cronaca di un amore
    Cronaca di un amore is a 1950 Italian film noir–style drama directed by Michelangelo Antonioni, often regarded as his feature debut and an early exploration of alienation and bourgeois malaise.
  • E. Il Ghirlandaio
    Il Ghirlandaio is the Italian Renaissance painter Domenico Ghirlandaio, renowned for his detailed fresco cycles in Florence and for having Michelangelo as an apprentice.
  • F. None of above. chosen
PD Predicate disambiguation gpt-5-mini-2025-08-07
Target predicate: usesCantusFirmusFrom
Context triple: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
  • A. usesCantusFirmus chosen
    Indicates that one musical element is based on or incorporates a pre-existing cantus firmus melody as its structural foundation.
  • B. usesChorale
    Indicates that one entity incorporates or employs a chorale (a hymn-like musical piece) within its structure or content.
  • C. usesLiturgicalMelody
    Indicates that one entity employs or incorporates a specific liturgical melody in its music or performance.
  • D. usesChorusBetweenStanzas
    Indicates that a recurring chorus section is inserted between successive stanzas of a piece (such as a song or poem).
  • E. usesChordChangesOf
    Indicates that one musical work employs the same or substantially similar chord progression as another work.
  • F. None of above.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0c45e5b8881908ac18fc2f493b114 completed April 16, 2026, 11:13 a.m.
NER Named-entity recognition batch_69ee88522e948190b9fa5a3587f32eae completed April 26, 2026, 9:49 p.m.
PD Predicate disambiguation batch_69e6320043bc81909417c41a718652ba completed April 20, 2026, 2:02 p.m.
Created at: April 16, 2026, 6:26 p.m.