Triple
T21527927
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Missa Super La dolce vista |
E531145
|
entity |
| Predicate | usesCantusFirmusFrom |
P120333
|
FINISHED |
| Object | La dolce vista |
—
|
NE NERFINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: La dolce vista | Statement: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: La dolce vista Context triple: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
-
A.
Il dolce suono
"Il dolce suono" is the celebrated mad scene aria from Gaetano Donizetti's opera "Lucia di Lammermoor," sung by the character Lucia Ashton and renowned for its virtuosic bel canto writing.
-
B.
Dulce Domum
"Dulce Domum" is a nostalgic and emotionally rich chapter in Kenneth Grahame's classic children's novel *The Wind in the Willows*, focusing on Mole's return to his long-neglected home.
-
C.
Sì dolce non sonò
"Sì dolce non sonò" is a celebrated Italian Trecento song by composer Francesco Landini, exemplifying his lyrical and melodically rich style of medieval secular music.
-
D.
Cronaca di un amore
Cronaca di un amore is a 1950 Italian film noir–style drama directed by Michelangelo Antonioni, often regarded as his feature debut and an early exploration of alienation and bourgeois malaise.
-
E.
Il Ghirlandaio
Il Ghirlandaio is the Italian Renaissance painter Domenico Ghirlandaio, renowned for his detailed fresco cycles in Florence and for having Michelangelo as an apprentice.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: La dolce vista Target entity description: La dolce vista is a secular Italian song that served as the melodic basis (cantus firmus) for the Renaissance mass setting Missa super La dolce vista.
-
A.
Il dolce suono
"Il dolce suono" is the celebrated mad scene aria from Gaetano Donizetti's opera "Lucia di Lammermoor," sung by the character Lucia Ashton and renowned for its virtuosic bel canto writing.
-
B.
Dulce Domum
"Dulce Domum" is a nostalgic and emotionally rich chapter in Kenneth Grahame's classic children's novel *The Wind in the Willows*, focusing on Mole's return to his long-neglected home.
-
C.
Sì dolce non sonò
"Sì dolce non sonò" is a celebrated Italian Trecento song by composer Francesco Landini, exemplifying his lyrical and melodically rich style of medieval secular music.
-
D.
Cronaca di un amore
Cronaca di un amore is a 1950 Italian film noir–style drama directed by Michelangelo Antonioni, often regarded as his feature debut and an early exploration of alienation and bourgeois malaise.
-
E.
Il Ghirlandaio
Il Ghirlandaio is the Italian Renaissance painter Domenico Ghirlandaio, renowned for his detailed fresco cycles in Florence and for having Michelangelo as an apprentice.
- F. None of above. chosen
PD
Predicate disambiguation
gpt-5-mini-2025-08-07
Target predicate: usesCantusFirmusFrom Context triple: [Missa Super La dolce vista, usesCantusFirmusFrom, La dolce vista]
-
A.
usesCantusFirmus
chosen
Indicates that one musical element is based on or incorporates a pre-existing cantus firmus melody as its structural foundation.
-
B.
usesChorale
Indicates that one entity incorporates or employs a chorale (a hymn-like musical piece) within its structure or content.
-
C.
usesLiturgicalMelody
Indicates that one entity employs or incorporates a specific liturgical melody in its music or performance.
-
D.
usesChorusBetweenStanzas
Indicates that a recurring chorus section is inserted between successive stanzas of a piece (such as a song or poem).
-
E.
usesChordChangesOf
Indicates that one musical work employs the same or substantially similar chord progression as another work.
- F. None of above.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c45e5b8881908ac18fc2f493b114 |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69ee88522e948190b9fa5a3587f32eae |
completed | April 26, 2026, 9:49 p.m. |
| PD | Predicate disambiguation | batch_69e6320043bc81909417c41a718652ba |
completed | April 20, 2026, 2:02 p.m. |
Created at: April 16, 2026, 6:26 p.m.