Triple
T21427198
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Chemins series |
E528586
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Chemins VIII for violin and ensemble |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Chemins VIII for violin and ensemble | Statement: [Chemins series, notableWork, Chemins VIII for violin and ensemble]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Chemins VIII for violin and ensemble Context triple: [Chemins series, notableWork, Chemins VIII for violin and ensemble]
-
A.
Chemins II for viola and ensemble
Chemins II for viola and ensemble is a contemporary classical composition by Luciano Berio that expands and reimagines his Sequenza VI for solo viola within a richly textured ensemble setting.
-
B.
Chemins VI for viola and orchestra
Chemins VI for viola and orchestra is a contemporary orchestral work by Luciano Berio that expands and reimagines his earlier Sequenza for solo viola within a rich, dialogic ensemble texture.
-
C.
Chemins III for viola and orchestra
Chemins III for viola and orchestra is a contemporary orchestral work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for solo viola within a rich orchestral texture.
-
D.
Chemins IV for oboe and strings
Chemins IV for oboe and strings is a contemporary classical composition by Luciano Berio that explores and expands material from his Sequenza VII for solo oboe within a richly textured string ensemble setting.
-
E.
Chemins VII for oboe and ensemble
Chemins VII for oboe and ensemble is a contemporary concert work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for oboe within a richly textured ensemble setting.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Chemins VIII for violin and ensemble Target entity description: Chemins VIII for violin and ensemble is a contemporary classical composition by Luciano Berio, part of his Chemins series that reworks earlier solo pieces into richly textured ensemble settings.
-
A.
Chemins II for viola and ensemble
Chemins II for viola and ensemble is a contemporary classical composition by Luciano Berio that expands and reimagines his Sequenza VI for solo viola within a richly textured ensemble setting.
-
B.
Chemins VI for viola and orchestra
Chemins VI for viola and orchestra is a contemporary orchestral work by Luciano Berio that expands and reimagines his earlier Sequenza for solo viola within a rich, dialogic ensemble texture.
-
C.
Chemins III for viola and orchestra
Chemins III for viola and orchestra is a contemporary orchestral work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for solo viola within a rich orchestral texture.
-
D.
Chemins IV for oboe and strings
Chemins IV for oboe and strings is a contemporary classical composition by Luciano Berio that explores and expands material from his Sequenza VII for solo oboe within a richly textured string ensemble setting.
-
E.
Chemins VII for oboe and ensemble
Chemins VII for oboe and ensemble is a contemporary concert work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for oboe within a richly textured ensemble setting.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c455f3688190810bc96365791b0f |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69e8b3e63a54819089efea2f26b58107 |
completed | April 22, 2026, 11:41 a.m. |
Created at: April 16, 2026, 5:49 p.m.