Triple

T21427196
Position Surface form Disambiguated ID Type / Status
Subject Chemins series E528586 entity
Predicate notableWork P4 FINISHED
Object Chemins VI for viola and orchestra NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Chemins VI for viola and orchestra | Statement: [Chemins series, notableWork, Chemins VI for viola and orchestra]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Chemins VI for viola and orchestra
Context triple: [Chemins series, notableWork, Chemins VI for viola and orchestra]
  • A. Chemins III for viola and orchestra
    Chemins III for viola and orchestra is a contemporary orchestral work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for solo viola within a rich orchestral texture.
  • B. Chemins II for viola and ensemble
    Chemins II for viola and ensemble is a contemporary classical composition by Luciano Berio that expands and reimagines his Sequenza VI for solo viola within a richly textured ensemble setting.
  • C. Chemins IV for oboe and strings
    Chemins IV for oboe and strings is a contemporary classical composition by Luciano Berio that explores and expands material from his Sequenza VII for solo oboe within a richly textured string ensemble setting.
  • D. Chemins V for trumpet and orchestra
    Chemins V for trumpet and orchestra is a contemporary concerto-like work by Luciano Berio that reimagines and expands material from his Sequenza for trumpet within a richly textured orchestral setting.
  • E. Chemins I for harp and orchestra
    Chemins I for harp and orchestra is a contemporary orchestral work by Italian composer Luciano Berio that reimagines and expands his earlier Sequenza for solo harp within a rich orchestral texture.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Chemins VI for viola and orchestra
Target entity description: Chemins VI for viola and orchestra is a contemporary orchestral work by Luciano Berio that expands and reimagines his earlier Sequenza for solo viola within a rich, dialogic ensemble texture.
  • A. Chemins III for viola and orchestra
    Chemins III for viola and orchestra is a contemporary orchestral work by Italian composer Luciano Berio, expanding and reimagining his earlier Sequenza for solo viola within a rich orchestral texture.
  • B. Chemins II for viola and ensemble
    Chemins II for viola and ensemble is a contemporary classical composition by Luciano Berio that expands and reimagines his Sequenza VI for solo viola within a richly textured ensemble setting.
  • C. Chemins IV for oboe and strings
    Chemins IV for oboe and strings is a contemporary classical composition by Luciano Berio that explores and expands material from his Sequenza VII for solo oboe within a richly textured string ensemble setting.
  • D. Chemins V for trumpet and orchestra
    Chemins V for trumpet and orchestra is a contemporary concerto-like work by Luciano Berio that reimagines and expands material from his Sequenza for trumpet within a richly textured orchestral setting.
  • E. Chemins I for harp and orchestra
    Chemins I for harp and orchestra is a contemporary orchestral work by Italian composer Luciano Berio that reimagines and expands his earlier Sequenza for solo harp within a rich orchestral texture.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0c455f3688190810bc96365791b0f completed April 16, 2026, 11:13 a.m.
NER Named-entity recognition batch_69e8b3e63a54819089efea2f26b58107 completed April 22, 2026, 11:41 a.m.
Created at: April 16, 2026, 5:49 p.m.