Triple

T21426659
Position Surface form Disambiguated ID Type / Status
Subject Sequenza I E528573 entity
Predicate relatedWork P37 FINISHED
Object Sequenza V NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Sequenza V | Statement: [Sequenza I, relatedWork, Sequenza V]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Sequenza V
Context triple: [Sequenza I, relatedWork, Sequenza V]
  • A. Sequenza IV
    Sequenza IV is a solo piano composition by Luciano Berio, part of his Sequenza series known for its virtuosic demands and exploration of extended instrumental techniques.
  • B. Sequenza VI
    Sequenza VI is a virtuosic solo viola piece by Luciano Berio, renowned for its intense exploration of extended techniques and complex, multilayered textures.
  • C. Sequenza II
    Sequenza II is a solo harp composition by Luciano Berio, part of his influential "Sequenza" series exploring extended techniques and virtuosity for individual instruments.
  • D. Sequenza VII
    Sequenza VII is a solo oboe piece by Luciano Berio, part of his influential Sequenza series, known for its virtuosic demands and exploration of extended instrumental techniques.
  • E. Sequenza III
    Sequenza III is a pioneering 1965 vocal composition by Luciano Berio for solo female voice, renowned for its use of extended techniques, theatrical gestures, and fragmented text.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Sequenza V
Target entity description: Sequenza V is a solo trombone piece by Luciano Berio, renowned for its theatrical elements and virtuosic demands, and is one of his series of experimental "Sequenza" compositions.
  • A. Sequenza IV
    Sequenza IV is a solo piano composition by Luciano Berio, part of his Sequenza series known for its virtuosic demands and exploration of extended instrumental techniques.
  • B. Sequenza VI
    Sequenza VI is a virtuosic solo viola piece by Luciano Berio, renowned for its intense exploration of extended techniques and complex, multilayered textures.
  • C. Sequenza II
    Sequenza II is a solo harp composition by Luciano Berio, part of his influential "Sequenza" series exploring extended techniques and virtuosity for individual instruments.
  • D. Sequenza VII
    Sequenza VII is a solo oboe piece by Luciano Berio, part of his influential Sequenza series, known for its virtuosic demands and exploration of extended instrumental techniques.
  • E. Sequenza III
    Sequenza III is a pioneering 1965 vocal composition by Luciano Berio for solo female voice, renowned for its use of extended techniques, theatrical gestures, and fragmented text.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0c455f3688190810bc96365791b0f completed April 16, 2026, 11:13 a.m.
NER Named-entity recognition batch_69ee813c7a048190a400e364c8df1dcf completed April 26, 2026, 9:18 p.m.
Created at: April 16, 2026, 5:49 p.m.