Triple

T21142395
Position Surface form Disambiguated ID Type / Status
Subject Sidney Janis Gallery E520963 entity
Predicate notableFor P22 FINISHED
Object 1962 New Realists exhibition introducing Pop Art to a wider New York audience NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: 1962 New Realists exhibition introducing Pop Art to a wider New York audience | Statement: [Sidney Janis Gallery, notableFor, 1962 New Realists exhibition introducing Pop Art to a wider New York audience]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: 1962 New Realists exhibition introducing Pop Art to a wider New York audience
Context triple: [Sidney Janis Gallery, notableFor, 1962 New Realists exhibition introducing Pop Art to a wider New York audience]
  • A. 1981 New York/New Wave exhibition at P.S.1
    The 1981 New York/New Wave exhibition at P.S.1 was a landmark group show in New York City that showcased emerging downtown artists and helped launch the careers of key figures in the early 1980s art scene.
  • B. The School of New York (1951 exhibition)
    The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
  • C. Jackson Pollock retrospective 1958
    The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
  • D. New Documents (Museum of Modern Art, 1967)
    New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
  • E. Cubism and Abstract Art (1936 exhibition)
    Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: 1962 New Realists exhibition introducing Pop Art to a wider New York audience
Target entity description: The 1962 New Realists exhibition was a landmark New York show that helped launch Pop Art into mainstream recognition by showcasing groundbreaking works from emerging American and European artists.
  • A. 1981 New York/New Wave exhibition at P.S.1
    The 1981 New York/New Wave exhibition at P.S.1 was a landmark group show in New York City that showcased emerging downtown artists and helped launch the careers of key figures in the early 1980s art scene.
  • B. The School of New York (1951 exhibition)
    The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
  • C. Jackson Pollock retrospective 1958
    The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
  • D. New Documents (Museum of Modern Art, 1967)
    New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
  • E. Cubism and Abstract Art (1936 exhibition)
    Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b50c6a848190a4e525a77a319b8a completed April 16, 2026, 10:08 a.m.
NER Named-entity recognition batch_69e723f96cf081909d10309e08aeca93 completed April 21, 2026, 7:15 a.m.
Created at: April 16, 2026, 2:57 p.m.