Triple
T21094472
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Excelsior, New Jersey |
E519724
|
entity |
| Predicate | stageSettingFor |
P12690
|
FINISHED |
| Object | Act I of The Skin of Our Teeth |
—
|
NE NERFINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act I of The Skin of Our Teeth | Statement: [Excelsior, New Jersey, stageSettingFor, Act I of The Skin of Our Teeth]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act I of The Skin of Our Teeth Context triple: [Excelsior, New Jersey, stageSettingFor, Act I of The Skin of Our Teeth]
-
A.
Act III of The Skin of Our Teeth
Act III of *The Skin of Our Teeth* is the final act of Thornton Wilder’s allegorical play, depicting the Antrobus family’s post-apocalyptic attempts to rebuild civilization and confront humanity’s recurring cycles of destruction and renewal.
-
B.
The Skin of Our Teeth
The Skin of Our Teeth is a Pulitzer Prize–winning 1942 play by Thornton Wilder that blends absurdist comedy and allegory to depict the enduring resilience of a family—and humanity—through apocalyptic catastrophes.
-
C.
Act II of Long Day’s Journey into Night
Act II of *Long Day’s Journey into Night* is a pivotal middle act of Eugene O’Neill’s autobiographical family drama, deepening the emotional tensions and psychological conflicts among the Tyrone family.
-
D.
The Drawer Boy
The Drawer Boy is a critically acclaimed Canadian play by Michael Healey that explores memory, friendship, and the transformative power of storytelling through the relationship between two aging farmers and a young actor.
-
E.
The Bald Soprano
The Bald Soprano is a landmark one-act play by Eugène Ionesco that helped define the Theatre of the Absurd through its nonsensical dialogue and satirical portrayal of bourgeois communication.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act I of The Skin of Our Teeth Target entity description: Act I of *The Skin of Our Teeth* is the opening act of Thornton Wilder’s experimental, allegorical play that follows the Antrobus family through a surreal, time-bending prehistoric catastrophe.
-
A.
Act III of The Skin of Our Teeth
Act III of *The Skin of Our Teeth* is the final act of Thornton Wilder’s allegorical play, depicting the Antrobus family’s post-apocalyptic attempts to rebuild civilization and confront humanity’s recurring cycles of destruction and renewal.
-
B.
The Skin of Our Teeth
chosen
The Skin of Our Teeth is a Pulitzer Prize–winning 1942 play by Thornton Wilder that blends absurdist comedy and allegory to depict the enduring resilience of a family—and humanity—through apocalyptic catastrophes.
-
C.
Act II of Long Day’s Journey into Night
Act II of *Long Day’s Journey into Night* is a pivotal middle act of Eugene O’Neill’s autobiographical family drama, deepening the emotional tensions and psychological conflicts among the Tyrone family.
-
D.
The Drawer Boy
The Drawer Boy is a critically acclaimed Canadian play by Michael Healey that explores memory, friendship, and the transformative power of storytelling through the relationship between two aging farmers and a young actor.
-
E.
The Bald Soprano
The Bald Soprano is a landmark one-act play by Eugène Ionesco that helped define the Theatre of the Absurd through its nonsensical dialogue and satirical portrayal of bourgeois communication.
- F. None of above.
PD
Predicate disambiguation
gpt-5-mini-2025-08-07
Target predicate: stageSettingFor Context triple: [Excelsior, New Jersey, stageSettingFor, Act I of The Skin of Our Teeth]
-
A.
stageConfiguration
Indicates the specific arrangement or setup of components, elements, or conditions at a particular stage within a process or system.
-
B.
setsStageFor
Indicates that one event, condition, or action creates the necessary circumstances or groundwork for another to occur.
-
C.
theatricalSetting
chosen
Indicates the spatial or contextual environment in which a theatrical performance or dramatic action takes place.
-
D.
stageEnvironment
Indicates that an entity is placed into or operates within a non-production (staging) environment used for testing or pre-deployment.
-
E.
stageDesigner
Indicates that one entity is responsible for designing or creating the stage or set for a performance or event in relation to another entity.
- F. None of above.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b508d8dc81909be940dafe36c8f7 |
completed | April 16, 2026, 10:08 a.m. |
| NER | Named-entity recognition | batch_69e709517a18819081ede1d38e2c4391 |
completed | April 21, 2026, 5:21 a.m. |
| PD | Predicate disambiguation | batch_69e5dbfcd5e881908f1e4e0d2d237856 |
completed | April 20, 2026, 7:55 a.m. |
Created at: April 16, 2026, 2:52 p.m.