Triple
T21065677
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | We'll Be Together Again |
E518961
|
entity |
| Predicate | hasNotableRecording |
P1152
|
FINISHED |
| Object | Art Pepper |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Art Pepper | Statement: [We'll Be Together Again, hasNotableRecording, Art Pepper]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Art Pepper Context triple: [We'll Be Together Again, hasNotableRecording, Art Pepper]
-
A.
Art Pepper
chosen
Art Pepper was an influential American jazz alto saxophonist known for his lyrical improvisation and key role in the West Coast jazz movement.
-
B.
Phil Woods
Phil Woods was an acclaimed American jazz alto saxophonist and bandleader known for his virtuosic bebop style and influential recordings.
-
C.
Donald Byrd
Donald Byrd was an influential American jazz trumpeter and bandleader known for his work in hard bop and later pioneering jazz-funk and fusion styles.
-
D.
Sonny Stitt
Sonny Stitt was an American jazz saxophonist renowned for his virtuosic bebop and hard bop playing, often associated with the stylistic legacy of Charlie Parker.
-
E.
Freddie Hubbard
Freddie Hubbard was an influential American jazz trumpeter known for his powerful tone, virtuosic technique, and key contributions to hard bop and post-bop recordings from the 1960s onward.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b505ef108190b25dd4033e2ff7eb |
completed | April 16, 2026, 10:08 a.m. |
| NER | Named-entity recognition | batch_69e6feb3799c8190bebabb087b917321 |
completed | April 21, 2026, 4:36 a.m. |
Created at: April 16, 2026, 2:44 p.m.