Triple
T21034876
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Cimabue |
E518162
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Maestà (Louvre) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Maestà (Louvre) | Statement: [Cimabue, notableWork, Maestà (Louvre)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Maestà (Louvre) Context triple: [Cimabue, notableWork, Maestà (Louvre)]
-
A.
Maestà
Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
-
B.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
-
C.
Maestà (Orvieto Cathedral polyptych)
Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
-
D.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
-
E.
The Virgin of the Rocks
The Virgin of the Rocks is a renowned Renaissance painting by Leonardo da Vinci depicting the Virgin Mary with the Christ Child, the infant John the Baptist, and an angel in a mysterious rocky landscape.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Maestà (Louvre) Target entity description: Maestà (Louvre) is a celebrated late 13th-century tempera-on-panel altarpiece by the Italian painter Cimabue, depicting the enthroned Virgin and Child surrounded by angels.
-
A.
Maestà
Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
-
B.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
-
C.
Maestà (Orvieto Cathedral polyptych)
Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
-
D.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
-
E.
The Virgin of the Rocks
The Virgin of the Rocks is a renowned Renaissance painting by Leonardo da Vinci depicting the Virgin Mary with the Christ Child, the infant John the Baptist, and an angel in a mysterious rocky landscape.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b503275c8190afd9a163f997c709 |
completed | April 16, 2026, 10:08 a.m. |
| NER | Named-entity recognition | batch_69e6fc858d808190a8489aac801a4f51 |
completed | April 21, 2026, 4:26 a.m. |
Created at: April 16, 2026, 2:01 p.m.