Triple

T21034875
Position Surface form Disambiguated ID Type / Status
Subject Cimabue E518162 entity
Predicate notableWork P4 FINISHED
Object Maestà (Santa Maria dei Servi, Bologna) — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Maestà (Santa Maria dei Servi, Bologna) | Statement: [Cimabue, notableWork, Maestà (Santa Maria dei Servi, Bologna)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Maestà (Santa Maria dei Servi, Bologna)
Context triple: [Cimabue, notableWork, Maestà (Santa Maria dei Servi, Bologna)]
  • A. Maestà (Orvieto Cathedral polyptych)
    Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
  • B. Maestà
    Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
  • C. Maestà (Massa Marittima)
    Maestà (Massa Marittima) is a celebrated early 14th-century fresco by Italian painter Ambrogio Lorenzetti depicting the Madonna enthroned in majesty, located in the cathedral of Massa Marittima, Tuscany.
  • D. Cimabue’s Maestà in the Upper Basilica
    Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
  • E. Polyptych of Pisa
    The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: Maestà (Santa Maria dei Servi, Bologna)
Target entity description: Maestà (Santa Maria dei Servi, Bologna) is a renowned late 13th-century altarpiece by Cimabue depicting the Virgin and Child enthroned, notable for its transitional style between Byzantine iconography and early Italian Renaissance naturalism.
  • A. Maestà (Orvieto Cathedral polyptych)
    Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
  • B. Maestà
    Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
  • C. Maestà (Massa Marittima)
    Maestà (Massa Marittima) is a celebrated early 14th-century fresco by Italian painter Ambrogio Lorenzetti depicting the Madonna enthroned in majesty, located in the cathedral of Massa Marittima, Tuscany.
  • D. Cimabue’s Maestà in the Upper Basilica
    Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
  • E. Polyptych of Pisa
    The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b503275c8190afd9a163f997c709 completed April 16, 2026, 10:08 a.m.
NER Named-entity recognition batch_69e6fc858d808190a8489aac801a4f51 completed April 21, 2026, 4:26 a.m.
Created at: April 16, 2026, 2:01 p.m.