Triple
T20979154
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Drafts and Fragments |
E516704
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object | Canto CXI |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Canto CXI | Statement: [Drafts and Fragments, hasPart, Canto CXI]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Canto CXI Context triple: [Drafts and Fragments, hasPart, Canto CXI]
-
A.
Canto VI
Canto VI is a later section of Alexander Pushkin’s narrative poem "Ruslan and Ludmila," continuing the fantastical adventures and romantic quest of the hero Ruslan.
-
B.
Canto V
Canto V is a section of Alexander Pushkin’s narrative poem "Ruslan and Ludmila," continuing the fantastical adventures and romantic trials of the hero Ruslan.
-
C.
Canto V
Canto V is the final section of Alexander Pope’s mock-epic poem "The Rape of the Lock," in which the narrative’s satirical treatment of high society and its trivial conflicts reaches its climax and resolution.
-
D.
Canto the Third
Canto the Third is the final section of Lord Byron’s narrative poem "The Corsair," continuing the romantic and tragic adventures of its pirate hero.
-
E.
Canto II
Canto II is the second section of Alexander Pope’s mock-epic poem "The Rape of the Lock," continuing the satirical narrative of high society and its trivial conflicts.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Canto CXI Target entity description: Canto CXI is one of the late, unfinished sections of Ezra Pound’s long modernist poem The Cantos, preserved among his posthumously published drafts and fragments.
-
A.
Canto VI
Canto VI is a later section of Alexander Pushkin’s narrative poem "Ruslan and Ludmila," continuing the fantastical adventures and romantic quest of the hero Ruslan.
-
B.
Canto V
Canto V is a section of Alexander Pushkin’s narrative poem "Ruslan and Ludmila," continuing the fantastical adventures and romantic trials of the hero Ruslan.
-
C.
Canto V
Canto V is the final section of Alexander Pope’s mock-epic poem "The Rape of the Lock," in which the narrative’s satirical treatment of high society and its trivial conflicts reaches its climax and resolution.
-
D.
Canto the Third
Canto the Third is the final section of Lord Byron’s narrative poem "The Corsair," continuing the romantic and tragic adventures of its pirate hero.
-
E.
Canto II
Canto II is the second section of Alexander Pope’s mock-epic poem "The Rape of the Lock," continuing the satirical narrative of high society and its trivial conflicts.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4fee5ac8190875fa9ceba1a5e5e |
completed | April 16, 2026, 10:07 a.m. |
| NER | Named-entity recognition | batch_69e6fbdc6ca08190919717f4328c7a0d |
completed | April 21, 2026, 4:23 a.m. |
Created at: April 16, 2026, 1:47 p.m.