Triple
T20806747
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Take All My Loves: 9 Shakespeare Sonnets |
E512180
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object | Sonnet 102 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Sonnet 102 | Statement: [Take All My Loves: 9 Shakespeare Sonnets, hasPart, Sonnet 102]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Sonnet 102 Context triple: [Take All My Loves: 9 Shakespeare Sonnets, hasPart, Sonnet 102]
-
A.
Sonnet 134
Sonnet 134 is one of William Shakespeare’s Dark Lady sonnets, exploring themes of unrequited love, emotional bondage, and betrayal.
-
B.
Sonnet 127
Sonnet 127 is one of William Shakespeare’s later sonnets that introduces the “Dark Lady” sequence, challenging conventional ideals of beauty through its depiction of a mysterious, unconventional beloved.
-
C.
Sonnet 10
Sonnet 10 is one of William Shakespeare’s 154 sonnets, notable for its exploration of love, self-love, and the poet’s plea for emotional openness.
-
D.
Sonnet 67
Sonnet 67 is one of Edmund Spenser’s Amoretti sonnets, notable for its allegorical depiction of love through the extended metaphor of a hunter and a deer.
-
E.
Sonnet 132
Sonnet 132 is one of William Shakespeare’s Dark Lady sonnets, notable for its exploration of unrequited love and the speaker’s conflicted admiration for the beloved’s dark features.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Sonnet 102 Target entity description: Sonnet 102 is one of William Shakespeare’s 154 sonnets, notable for its reflection on love that grows quieter and more restrained over time rather than fading.
-
A.
Sonnet 134
Sonnet 134 is one of William Shakespeare’s Dark Lady sonnets, exploring themes of unrequited love, emotional bondage, and betrayal.
-
B.
Sonnet 127
Sonnet 127 is one of William Shakespeare’s later sonnets that introduces the “Dark Lady” sequence, challenging conventional ideals of beauty through its depiction of a mysterious, unconventional beloved.
-
C.
Sonnet 10
Sonnet 10 is one of William Shakespeare’s 154 sonnets, notable for its exploration of love, self-love, and the poet’s plea for emotional openness.
-
D.
Sonnet 67
Sonnet 67 is one of Edmund Spenser’s Amoretti sonnets, notable for its allegorical depiction of love through the extended metaphor of a hunter and a deer.
-
E.
Sonnet 132
Sonnet 132 is one of William Shakespeare’s Dark Lady sonnets, notable for its exploration of unrequited love and the speaker’s conflicted admiration for the beloved’s dark features.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4cc69f481908e98751e697b9df4 |
completed | April 16, 2026, 10:07 a.m. |
| NER | Named-entity recognition | batch_69e6c2cfdee481908e42a1a8940ea40c |
completed | April 21, 2026, 12:20 a.m. |
Created at: April 16, 2026, 12:40 p.m.