Triple

T20806746
Position Surface form Disambiguated ID Type / Status
Subject Take All My Loves: 9 Shakespeare Sonnets E512180 entity
Predicate hasPart P35 FINISHED
Object Sonnet 87 NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Sonnet 87 | Statement: [Take All My Loves: 9 Shakespeare Sonnets, hasPart, Sonnet 87]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Sonnet 87
Context triple: [Take All My Loves: 9 Shakespeare Sonnets, hasPart, Sonnet 87]
  • A. Sonnet 67
    Sonnet 67 is one of Edmund Spenser’s Amoretti sonnets, notable for its allegorical depiction of love through the extended metaphor of a hunter and a deer.
  • B. Sonnet 94
    Sonnet 94 is one of William Shakespeare’s most famous and morally complex sonnets, often noted for its meditation on power, restraint, and corruption.
  • C. Sonnet 54
    Sonnet 54 is one of Edmund Spenser’s Amoretti sonnets, notable for its exploration of unrequited love through the metaphor of theatrical performance.
  • D. Sonnet 127
    Sonnet 127 is one of William Shakespeare’s later sonnets that introduces the “Dark Lady” sequence, challenging conventional ideals of beauty through its depiction of a mysterious, unconventional beloved.
  • E. Sonnet 143
    Sonnet 143 is one of William Shakespeare’s 154 sonnets, notable for its domestic, almost comic portrayal of love through the extended metaphor of a housewife chasing a runaway child and a hen.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Sonnet 87
Target entity description: Sonnet 87 is one of William Shakespeare’s Fair Youth sonnets, notable for its theme of farewell and the speaker’s sense of unworthiness in love.
  • A. Sonnet 67
    Sonnet 67 is one of Edmund Spenser’s Amoretti sonnets, notable for its allegorical depiction of love through the extended metaphor of a hunter and a deer.
  • B. Sonnet 94
    Sonnet 94 is one of William Shakespeare’s most famous and morally complex sonnets, often noted for its meditation on power, restraint, and corruption.
  • C. Sonnet 54
    Sonnet 54 is one of Edmund Spenser’s Amoretti sonnets, notable for its exploration of unrequited love through the metaphor of theatrical performance.
  • D. Sonnet 127
    Sonnet 127 is one of William Shakespeare’s later sonnets that introduces the “Dark Lady” sequence, challenging conventional ideals of beauty through its depiction of a mysterious, unconventional beloved.
  • E. Sonnet 143
    Sonnet 143 is one of William Shakespeare’s 154 sonnets, notable for its domestic, almost comic portrayal of love through the extended metaphor of a housewife chasing a runaway child and a hen.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4cc69f481908e98751e697b9df4 completed April 16, 2026, 10:07 a.m.
NER Named-entity recognition batch_69e6c2cfdee481908e42a1a8940ea40c completed April 21, 2026, 12:20 a.m.
Created at: April 16, 2026, 12:40 p.m.