Triple
T20754117
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Imaginary Landscape No. 1 |
E510804
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | Imaginary Landscape series |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Imaginary Landscape series | Statement: [Imaginary Landscape No. 1, movement, Imaginary Landscape series]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Imaginary Landscape series Context triple: [Imaginary Landscape No. 1, movement, Imaginary Landscape series]
-
A.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
-
B.
Imaginary Landscape No. 5
Imaginary Landscape No. 5 is a 1952 experimental composition by John Cage that uses recorded jazz materials and chance procedures to create a collage-like soundscape.
-
C.
Imaginary Landscape No. 3
Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
-
D.
Imaginary Landscape No. 2
Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
-
E.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Imaginary Landscape series Target entity description: The Imaginary Landscape series is a group of experimental electronic and percussion works by composer John Cage that explore chance operations, unconventional sound sources, and early forms of live electronic music.
-
A.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
-
B.
Imaginary Landscape No. 5
Imaginary Landscape No. 5 is a 1952 experimental composition by John Cage that uses recorded jazz materials and chance procedures to create a collage-like soundscape.
-
C.
Imaginary Landscape No. 3
Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
-
D.
Imaginary Landscape No. 2
Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
-
E.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4c909ec8190b05987f1639513f6 |
completed | April 16, 2026, 10:07 a.m. |
| NER | Named-entity recognition | batch_69e6c22d0ebc8190b17077326f540f98 |
completed | April 21, 2026, 12:17 a.m. |
Created at: April 16, 2026, 12:34 p.m.