Triple

T20693285
Position Surface form Disambiguated ID Type / Status
Subject Imaginary Landscape No. 4 E508602 entity
Predicate relatedWorkByComposer P30528 FINISHED
Object Imaginary Landscape No. 5 — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Imaginary Landscape No. 5 | Statement: [Imaginary Landscape No. 4, relatedWorkByComposer, Imaginary Landscape No. 5]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Imaginary Landscape No. 5
Context triple: [Imaginary Landscape No. 4, relatedWorkByComposer, Imaginary Landscape No. 5]
  • A. Imaginary Landscape No. 2
    Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
  • B. Imaginary Landscape No. 4
    Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
  • C. Imaginary Landscape No. 3
    Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
  • D. Imaginary Landscape No. 1
    Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
  • E. Landscape with the Fall of Icarus
    "Landscape with the Fall of Icarus" is a famous painting traditionally attributed to Pieter Bruegel the Elder that subtly depicts the myth of Icarus as a minor detail within a busy, indifferent everyday landscape.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: Imaginary Landscape No. 5
Target entity description: Imaginary Landscape No. 5 is a 1952 experimental composition by John Cage that uses recorded jazz materials and chance procedures to create a collage-like soundscape.
  • A. Imaginary Landscape No. 2
    Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
  • B. Imaginary Landscape No. 4
    Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
  • C. Imaginary Landscape No. 3
    Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
  • D. Imaginary Landscape No. 1
    Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
  • E. Landscape with the Fall of Icarus
    "Landscape with the Fall of Icarus" is a famous painting traditionally attributed to Pieter Bruegel the Elder that subtly depicts the myth of Icarus as a minor detail within a busy, indifferent everyday landscape.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4c1ed408190b72dd26b1e33f8a1 completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e6c10fc4088190ab71ef078600954b completed April 21, 2026, 12:13 a.m.
Created at: April 16, 2026, 12:09 p.m.